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...With reporting by Viveca Novak, Elaine Shannon and Michael Weisskopf/Washington, Sean Scully/Modesto and Laura A. Locke/San Francisco

Author: /time Magazine | Title: The Heat Goes On | 7/30/2001 | See Source »

...With reporting by Margaret Carlson, Viveca Novak, Michael Weisskopf and Mark Thompson/Washington, Laura A. Locke/San Francisco and Sean Scully and Chris Taylor/Modesto

Author: /time Magazine | Title: Sex, Lies and Polygraphs | 7/15/2001 | See Source »

...first eminence, Lemmon was usually the nice Joe--"honest, thrifty, methodical, sober, upright and really kinda dull," as he says of himself in Phffft!--getting wooed by prime kooky blonds Judy Holliday and Kim Novak. With Shirley MacLaine in The Apartment and Irma la Douce, he was the shy gent pursuing a knowing woman, the lamb trying to persuade himself to be a wolf. But the Lemmon male was more in control when surrounded by men. From early service comedies like Mister Roberts through all the films in which he played Nellie to Walter Matthau's Butch (The Fortune Cookie...

Author: /time Magazine | Title: Clown Prince: JACK LEMMON (1925-2001) | 7/9/2001 | See Source »

...Reported by Viveca Novak and Michael Weisskopf/Washington

Author: /time Magazine | Title: O Brother, Where Art Thy Standards? | 7/9/2001 | See Source »

...with the fine arts in Hitchcock's films. Evidence for the influence of well-known paintings and sculptures - many of them on display here - is overwhelming. One look at Willy Schlobach's painting of La Morte, and it's clear Hitchcock directly recreated its image in Vertigo when Kim Novak throws herself into San Francisco Bay. Walking around Rodin's The Kiss gives the same effect as the camera turning around Jimmy Stewart's embrace of Novak later in the movie. The aerial shot of Cary Grant in the cornfield in North by Northwest - with a road cutting straight through...

Author: /time Magazine | Title: The Fine Art of Fear | 7/9/2001 | See Source »

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