Word: novas
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Dates: during 1990-1999
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...find it's indigestible. Thankfully, and refreshingly, kitsch-pop masters Pizzicato Five can still render postmodernism an enjoyably tasteful joy ride. They trip through safe and smiley TV-land in a jalopy heap slapped together from '60s and jap pop, hip hop beats, funk threads, classical samples, bossa nova riffs and exotica, running on smooth easy-listening gas. Maki Nomiya and Yasuharu Konishi blend and blush an all-Japanese soundtrack to the imaginary lifestyle of the international playboy/girl set. "Rolls Royce" is experimentally clever but strung on an annoying shrill that detracts from adorable bubbletunes like "La Dpression," "Playboy Playgirl...
...find it's indigestible. Thankfully, and refreshingly, kitsch-pop masters Pizzicato Five can still render postmodernism an enjoyably tasteful joy ride. They trip through safe and smiley TV-land in a jalopy heap slapped together from '60s and jap pop, hip hop beats, funk threads, classical samples, bossa nova riffs and exotica, running on smooth easy-listening gas. Maki Nomiya and Yasuharu Konishi blend and blush an all-Japanese soundtrack to the imaginary lifestyle of the international playboy/girl set. "Rolls Royce" is experimentally clever but strung on an annoying shrill that detracts from adorable bubbletunes like "La Depression," "Playboy Playgirl...
...third season, which kicked off in late January, Roadshow (Mondays, 8 p.m. E.T.) has become the top-rated weekly program on public television, overtaking Barney and such staples as This Old House and Nova. A knock-off of a long-running British show, it's being propelled by a booming interest in collectibles and Americana, from Beanie Babies to 18th century furniture, and the growth of the Internet, where surfers flock to online auction sites such as eBay and Auction Universe. In a nation full of junk keepers, Roadshow is sending its 10 million viewers rummaging through their attics...
Furthermore, Gluck is quick to switch narratorial perspectives, writing call and answer poems in which she is only sometimes the subject. Her opening poem, "Vita Nova," begins, "You saved me, you should remember me." A plot and an addressee are suddenly implied and then dropped, and the poems that follow are similarly oblique...
Both the beginning and ending poems of Vita Nova are themselves titled "Vita Nova," bookending a sequence of 32 inter-locking poems. It is a deeply reinforced whole--one of the last poems likens grief to the dark wood of a lute, referencing and earlier poem, "Lute Song," in which Gluck discusses the construction of the "overwhelmingly beautiful" out of "terror or pain." All of the poems address the problem of a new life, and the more obscure ones benefit from their embedment in the Vita Nova sequence...