Word: novel
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Dates: during 1920-1929
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Despite the limitations of space and style selected by the author a well knit, compelling novel has been evolved. As a recorder of the current of emotion florving and ebbing in society at a wedding breakfast, it probably remains alone in the field...
...home of pleasant dalliance, high-hearted fair ladies, and a Barriesque unworldliness, Virginia provides romance-weavers with a fabric ready-made. Stephena Cockrell takes heart of grace from this fact and adds another novel to the away-down-south-in-Dixie list. She goes about the task with a directness arguing a magazine apprenticeship. The ever vernal poor girl-rich boy theme is introduced with legato variations. An opening scene in which an ant covered antique hinge is concealed by the ingenue, Sally, in her silk unmentionables only to be hastily plucked forth as the man, Richard Clarke, curio collector...
NEVER has a biblical personnage encountered such ultra-modern handling as ancient Samson experiences at the hands of Mr. Washburn whose first novel stamps him as a twentieth century vulgarizer of the first rank. The classic shades of Milton's "Samson Agonistes" and Saint-Saens' "Samson and Delilah" will have a difficult time adjusting themselves to the ribald ghosts of this most recent characterization of the deliverer of the children of Israel. In fact, "Samson" stands in a fair way to be a literary pariah because of its uncompromising frankness and defiance of the literary code of ethics. If someone...
WITH his Harper Prize Novel, "The Grandmothers," Glenway Wescott sprang into literary prominence. With the remains of that impetus he now gives us a collection of short stories. Some of them were written before the prize novel, some after. At all events, they somehow, fail to hit the mark. The opening tale, from which the collection draws its name, is an intimation of a desire of the author's to get away from the middle western background and attitude which featured his novel. In the future he will seek new fields to exploit and will let alone the Middle West...
...must be admitted that Chee-Chee, though sometimes cute and always dirty, is not consistently amusing. Herbert Fields deduced the book from Charles Petit's novel. Richard Rodgers and Lorenz Hart managed to engender "Better Be Good to Me" and "I Must Love You," but they were neither lyrically nor musically up to standards of their Garrick Gaieties or A Connecticut Yankee. Helen Ford as Chee-Chee and Betty Starbuck as Li-Li-Wee were respectively arch and charming. George Hassell squealed and grunted in cagey fashion as the Grand Eunuch. Chee-Chee would be funnier...