Search Details

Word: novel (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...FOUR-GATED CITY, by Doris Lessing. In the final novel of her Children of Violence series, the author takes Heroine Martha Quest from World War II to the present. Then the meticulous, disturbing book proceeds into the future to demonstrate the author's extrasensory conviction that global disaster is at hand...

Author: /time Magazine | Title: Television: Oct. 3, 1969 | 10/3/1969 | See Source »

Jean-Paul Sartre has said that Negro poetry is "the true revolutionary poetry" of the time, something that transcends race alone. Richard Wright, the father of the black novel, laid claim to "a right more immediately deep er than that of politics or race . . . .that is, a human right, the right of a man to think and feel honestly." In Chicago, a mural on a ghetto wall glowers and glows at passersby in pride and in challenge. Or, hear Owen Dodson...

Author: /time Magazine | Title: Art: REVOLUTIONARY OR VICTIM | 10/3/1969 | See Source »

...history of the English novel, heroines department, could be summarized as stories of Girls Who Dared To. They swooned, they wept, they rolled their eyes upward, but they dared to. They dared to, and did they ever pay for it, those primrose pathfinders, from Richardson's Clarissa to Thomas Hardy's Tess of the D'Urbervilles...

Author: /time Magazine | Title: Books: Primrose Pathfinder | 10/3/1969 | See Source »

...suicide, she throws herself into "pure corrupted love," with Romeo and Juliet sounding doom in her mind: "These violent delights have violent ends." And in due course, another potency symbol-this time an Aston Martin-nearly kills the lovers. A curious kind of post-catastrophe serenity enters the novel. The puritan's dues have been paid, and for the moment all is in equilibrium. Jane, a blocked poet, can even write again...

Author: /time Magazine | Title: Books: Primrose Pathfinder | 10/3/1969 | See Source »

...puritans are not got rid of that easily. Miss Drabble has composed her dazzling and anguished novel as a "schizoid third-person dialogue," with alternating sections written as "I" and as "she." "She" is mostly the girl who dares to. "I" is Freud's good old superego, self-recriminating, doing society's work even when society itself has lost its enthusiasm to play enforcer. It is the "I" that has the last word. The closing sentence of the novel reads significantly: "I prefer to suffer, I think...

Author: /time Magazine | Title: Books: Primrose Pathfinder | 10/3/1969 | See Source »

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