Word: novelist
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Dates: during 1980-1989
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...with a word about her own recollection of Pike's church, and then characteristically proceeds to lace the narrative with what she calls elsewhere, "always, transparently, shamelessly, the implacable 'I.'" "The greatest study of Mann is Mann" wrote Janet Flanner in a profile of the Nobel Prize-winning German novelist, and likewise, we may note that an equivalent scheme of interests exists for Joan Didion. As a reporter, she tells us, she is not really interested in issues, but in the "alchemy of issues." And what this seems to mean is that every character, every subject, from Linda Kasabian...
Edward Hoagland is another essayist who has earned his style through adversity. A novelist of modest reputation before turning to the essay (Cat Man in 1956 and The Circle Home in 1960), Hoagland has spent much of his childhood and adult life as a stutterer. ("Being in these vocal handcuffs made me a devoted writer at twenty. I worked like a dog, choosing each word.") Hoagland's style is consonant with the idea that the essay is a variety of "conversational writing." Unshackled, Hoagland converses recklessly, wildly, an abundance of critical detail and blinding enthusiasm fueling his abrupt transitions from...
...have no empathy for the victims in Humanoids, Prom Night, or Friday the 13th-- dubbed by horror novelist Stephen King in a Phoenix interview as a "snuff movie," where the audience waits eagerly for 13 campers and counsellors to be gorily dispatched. The violence in these low-budget horror films signals a new irreverence for the human body: no longer a vessel for the mind or soul but for blood, bone, pus, intestine and anything else that can come spurting, splashing, oozing, or quivering out; a source of irridescent colors, strange and squashy textures, squishing and crunching sounds. Devising these...
Drabble the writer has changed over the years as well. The sensitive, intelligent young novelist has steadily moved beyond the shell of her characters' egos toward the world of public issues and crises. An admirer of Arnold Bennett, she now writes like an Edwardian who has tasted the apple of modernism...
...have no empathy for the victims in Humanoids, Prom Night, or Friday the 13th-- dubbed by horror novelist Stephen King in a Phoenix interview as a "snuff movie," where the audience waits eagerly for 13 campers and counsellors to be gorily dispatched. The violence in these low-budget horror films signals a new irreverence for the human body: no longer a vessel for the mind or soul but for blood, bone, pus, intestine and anything else that can come spurting, splashing, oozing, or quivering out; a source of irridescent colors, strange and squashy textures, squishing and crunching sounds. Devising these...