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...restless sleep. But Mazursky is scrupulously fair to the characters -- so fair that Enemies lacks his films' customary oomph. When it is not vitalized by the beautiful performances of Olin and Huston, the picture takes on Herman's dithering lassitude. And yet there is a method to this meandering. Novelist and director both know a man is more than the sum of the calamities that have befallen him. Herman is a victim, not just of the Nazis, but of his own demons as well. And he is lucky, or doomed, to find three superior women who want to crush...

Author: /time Magazine | Title: Cinema: Hollywood On The Holocaust | 1/8/1990 | See Source »

...only a matter of time before McGuane looked through the bottom of a shot glass and glimpsed his own mortality. Observes longtime friend and fellow novelist Jim Harrison (Legends of the Fall): "Like a lot of writers, we started out reading Rimbaud and Dostoyevsky, and you think that in order to write you also have to be partly crazy. And later on it occurs to us that we're going to die unless we behave." Realizing that "my streak of self- destructiveness had to end," McGuane quit drinking and poured himself into writing. Two novels -- Nobody's Angel...

Author: /time Magazine | Title: TOM MCGUANE: He's Left No Stone Unturned | 12/25/1989 | See Source »

...look at each other in a confession of mutual need, and the title line of mock-bragging devotion, You're Nothing Without Me, reverberates from the rafters. All in all, a classic first-act finale -- except that in this musical the characters who vow undying fidelity are a nerdy novelist turned screenwriter and the hard-boiled detective he has created on page and celluloid...

Author: /time Magazine | Title: Theater: Hello Again to the Long Goodbye | 12/25/1989 | See Source »

Still in the saddle after Hollywood, hard drinking and two failed marriages, the rambunctious novelist has just produced what critics call his best book to date...

Author: /time Magazine | Title: Time Magazine Contents Page Vol. 134, No. 26 DECEMBER 25, 1989 | 12/25/1989 | See Source »

Watching Meryl Streep as Mary Fisher, romance novelist, is like seeing Margaret Thatcher play the horse in a Christmas pantomime -- and with delicious style. The great gray lady of movie drama brings her precise acting tools to a comedy of manners, flouncing wittily onto a couch, exhaling every word in swooning intimacy, switching from fawn to fume in the wink of a lover's indiscretion. She can even speak American English without an accent. Surprise! Inside the Greer Garson roles Streep usually plays, a vixenish Carole Lombard is screaming to be cut loose...

Author: /time Magazine | Title: Cinema: Warty Worm | 12/11/1989 | See Source »

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