Word: novelists
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Dates: during 1940-1949
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...assistance of Esther Smith; produced by José Ferrer), on the stage, as in book form, pulls no sociological punches. But the play lacks dramatic punch. A fledgling Broadway playwright, Lillian Smith too often wobbles in her storytelling, too often fails to pick up the dramatic scent. An unconverted novelist, she has gamely but unwisely tried to transfer to the stage the whole life of a Georgia town. The result is far less spacious than sprawling...
Though fully aware of her theatrical inexperience, Novelist Lillian Smith decided to dramatize Strange Fruit herself for fear that an "outside dramatist" would misrepresent the book. Says she: "I knew it would have been easy to make a racial Romeo and Juliet out of it ... I wanted a panoramic picture of human beings-white and colored-trapped by the whole mechanism of segregation. I broke a great many rules but I knew what rules I was breaking . . . I'm proud of it ... I wouldn't change a word...
...give voices to his furred and feathered folk, Impresario Disney signed up Nelson Eddy, Dinah Shore, the Andrews Sisters, Edgar Bergen. To supply the cartooned creatures with plots and dialogue, he has engaged such litterateurs as Novelist Huxley, Playwrights Marc Connelly and Edwin Justus Mayer, Author George Rippey Stewart, Author-Critic Sterling North and Folklorist Carl Carmer. Some Disney projects...
William Makepeace Thackeray, the eminent Victorian novelist ( Vanity Fair, Pen-dennis), was a passionate gambler and for years indulged an enigmatic infatuation for the wife of a fashionable London clergyman. These somewhat Elizabethan lapses have been whispered about. But they could never be fully confirmed. Reason: before his death, Thackeray told his daughter, Anne, to see to it that there were no Thackeray biographies. She did-by the simple expedient of locking away the bulk of her father's correspondence and other vital data...
...important and inclusive work ever published on Thackeray,'and a first-rate editing job. Three-fifths of the letters have never before been published. They range from Thackeray, aged 6 ("My dear Mama I hope you are quite well: I have given my dear Grandmama a kiss"), to Novelist Thackeray, 40, famed and love-sick ("My dearest Mammy ... the griefs of my elderly heart can't be talked about. . . . What can any body do for me?"). Editor Ray has also included enlightening extracts from Thackeray's private diaries and account-books, scores of his sketches, brief biographies...