Word: novelists
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Dates: during 1940-1949
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...veteran advocate of party-line causes, was the conference chairman. Quietly working around him was the same hard core of trained Communists, the same muddle of the earnest and the inexperienced. The list of sponsors included such familiar leftist names as Playwright Arthur (Death of a Salesman) Miller, Novelist Norman (The Naked and the Dead) Mailer, Composer Aaron Copland, Poet Louis Untermeyer, New York Times Critic Olin Downes...
...studded with the well-intentioned, the gullible, the confused, and salted with Communists. The committee was headed by Harvard Astronomer Harlow Shapley, who has long had red stars in his eyes. Besides such unsurprising names as Henry A. Wallace and Charles Chaplin, the roster included Physicist Albert Einstein, Novelist Thomas Mann. What was really surprising at this late date was that such supposedly well-informed people as Vassar President Sarah Gibson Blanding and Columbia Philosopher Irwin Edman had agreed to sponsor the Communists' show and ducked out only at the last minute...
...Novelist Miller thought that the trouble might be her placid style. She decided to take a completely new course. She picked herself the pseudonym of Isabel Bolton and, in 1946, published a novel in a new, free style, Do I Wake or Sleep. It consisted pretty much of the interior monologues of a woman of intuitions, like Isabel Bolton. This time, the critics were watching. The New Yorker's Edmund Wilson found the Bolton style "exquisitely perfect in accent"; some of it he compared to The Great Gatsby and The Sun Also Rises. Said the Nation's Diana...
Adventure Enough. In this typical "bit of dialogue, Novelist Elizabeth Taylor skips ahead of the reader to state-and quickly puncture with mockery-the best justification for her novels. A Wreath of Roses is her fourth, and it has the same lightness and speed, the same clairvoyance at catching ripples of feminine feeling, as her first, At Mrs. Lippincote's. Since there is nothing very busty or blustery about all this, Mrs. Taylor will probably have to be content with a lot fewer readers than she deserves...
Stranger-Trouble. Novelist Taylor comes a cropper in dealing with the handsome stranger-a psychotic who is a good deal more dangerous than Camilla at first suspects. Mrs. Taylor suggests facets of his character, all neatly and plausibly, but no individual emerges. At the climax of the story Camilla is filled with understandable terror at learning that her new friend is a murderer. The motives and behavior of the young man at this point are, however, by no means made credible to the reader. The novel ends rather helplessly with his suicide...