Word: novelization
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Dates: during 1990-1999
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...Flaubert's last novel, Bouvard and Pecuchet, two middle-aged copyists come into an inheritance and move to the countryside where they try their hand successively at farming, medicine, archaeology, history, literature, spiritualism, gymnastics, education, philosophy and religion and manage to fail at each and every one of them before finally resolving, after 40 years, to return to their work as copyists...
Both characters are imbeciles. They read an entire library and get nothing out of it except the illusion of understanding. But, in the eighth chapter, in the most famous passage of the entire novel, Flaubert writes that "a lamentable faculty arose in their spirits, that of seeing stupidity and no longer being able to tolerate it. They were saddened by insignificant things: the advertisements in the newspapers, the profile of a bourgeois, a mindless remark overheard by chance...
Bergman is pleased with the film too. "It's not a documentary," he says. "It's more of a historical novel." But he's angry with his former colleagues at CBS, who are claiming that he was negotiating with Mann to make a film about the Wigand blowup even while it was going on. "It was apparent to anybody in the editing room," says Wallace, "that he was frequently on the telephone [to Mann] with a play-by-play while he was producing the piece for us." Bergman insists he didn't start thinking about making the story into...
...demise of Michael Ovitz's power in Tinseltown, it appears, are premature. Two weeks ago, speculation abounded--in the pages of this magazine, among others--that the former superagent might be having trouble making deals, because he had not sold the movie rights for MICHAEL CRICHTON'S new novel, Timeline, due out next month. Ovitz put such talk to rest last week when Paramount signed on for the film. It will be directed by a big name to boot: RICHARD DONNER (Lethal Weapons 1, 2, 3 and 4). Folks at Paramount weren't talking, but the film, which is said...
...voices of three African-American writers, ultimately achieves that dream with the publication of Angela's Ashes. But the undercurrents of anger and resentment that reverberate through the book show us the raw underbelly of that dream: the humiliation, the loneliness, the despair and the jealousy. McCourt's second novel does not exist as an extension of his first book, devoid of any meaning. Rather, it shows us that the American dream--romantic though it may be--is still very much what his brother Alphie calls a "tormenting dream...