Word: novelizations
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Dates: during 2000-2009
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...stories of Asian immigration to America have formed a genre of their own. In the novels of Bharati Mukherjee or Amy Tan (to take two of its superstar practitioners), or in the works of lesser writers, the narrative often goes something like this: an immigrant family lands in America, pursuing economic or political freedom. Its members are dogged by battles to secure permanent residency and jobs commensurate with their sense of self-worth. As these take place, nostalgia builds for Asian traditions, from which the family's younger generations have begun to drift. Cross-cultural and cross-generational misunderstandings multiply...
...servants' outhouse. His body was found later that day. In the months that followed, the Road Hill House murder became a national obsession. It seemed to reveal some sick secret truth lurking in the hushed, upholstered heart of the Victorian household; Wilkie Collins' The Moonstone, the first English detective novel, is based on it. The task of solving the crime fell to one Jonathan Whicher, the son of a gardener and one of the original eight London policemen selected to join a new, élite unit of detectives headquartered at Scotland Yard. Kate Summerscale's THE SUSPICIONS OF MR. WHICHER...
...undergraduate, Ceridwen Dovey ’03 never took a creative writing course and eschewed the Harvard literary scene. Instead, she ca me to fiction with the unique perspective of the anthropologist. Now a second-year Ph.D. candidate in anthropology at NYU, she’s having her debut novel “Blood Kin” published in 14 countries and has received sky-high accolades from the likes of J.M. Coetzee.“I wasn’t involved in The Advocate, The Signet, or any of those,” Dovey says...
...novel that accompanied the painting is unimportant—in fact, he barely remembers what “The Essence of Grunk” is about. But the painting reminds him of a difficult period in his life, a time of odd-but ultimately necessary-steps on his journey to stardom...
...concepts and clothes.” The Hip-Hop section illustrated the difference between the East and the West. Creative directors Natasha M. Platt ’10 and Moonlit M. Wang ’10 said the exposure to Western culture influences the Asian hip-hop scene in novel ways. “We wanted to show how people interpret [Western hip-hop] differently and recreate it using their own cultural background and traditions,” Wang said. They achieved this end by opening their segment with Western hip-hop inspired clothing to act as a contrast...