Word: novelizations
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Dates: during 2000-2009
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...This would lead to a second-round runoff, which Karzai desperately hoped to avoid. The IEC reconvened and voted 6 to 1 to drop safeguards, explaining that the commissioners had just read the Afghan election law and discovered that they had no authority to throw out fraudulent votes. This novel and inventive reading of the law did not convince many Afghans. My boss, however, sided with Karzai, and I was ordered to drop the matter. Four days later, I left Afghanistan and was subsequently relieved of my position by the Secretary-General. (See TIME's audio slideshow...
...Byatt's 1990 novel Possession was a hot, epistolary Victorian romance framed as a literary mystery, complete with epic poems, lost letters, adultery, suicide, lesbians, a bastard child, a grave robbery and hilarious send-ups of contemporary academics. No wonder it won Britain's prestigious Booker Prize and has sold hundreds of thousands of copies worldwide: it satisfies every possible literary constituency...
Byatt's latest novel, The Children's Book (Knopf; 675 pages), her ninth work of fiction since Possession, earned a spot on the Man Booker short list and has been hailed as a return to peak form. It's not quite that good - it has Possession's omnivorous range but not its propulsive discipline. Still, The Children's Book is a rich and ambitious work, steeped in ideas and capped with a lacerating final...
...novel opens in 1895 in a London museum, where young Philip Warren, an aspiring potter, is sketching the metalwork and camping out secretly amid the statuary. On the lam from a bleak working-class future in England's industrial north, Philip has the good fortune to be discovered by two sympathetic boys, one of whom is the son of children's-book author Olive Wellwood. Soon our ceramist is apprenticed to Wellwood family friend Benedict Fludd, a master potter...
...progressive, prolific Wellwoods - prolific in both writing and childbearing, Olive and Humphry have a brood of seven - and their artsy friends and acolytes form the core of Byatt's novel, and they are an invigorating bunch. Fin de siècle England was bursting with new ideas and beliefs (socialism, suffragism, anarchism, free love), and Byatt's characters are exuberant participants, joining, lecturing, writing, rebelling, and navigating the fallout when their experiments (particularly in the free-love category) come to grief...