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...Bollywood film in the sense that virtually all the cast and crew are from Bollywood. It's directed by a Brit and adapted by a Brit, from an Indian novel. So it feels like a hybrid of good things working together...

Author: /time Magazine | Title: 10 Questions for Danny Boyle | 2/19/2009 | See Source »

...Japanese occupation. The conquerors use Bahasa Indonesia, the archipelago's lingua franca, as an administrative tongue in their polyglot territory. Hidayat - drawing on Alisjahbana's actual wartime employment in occupied Indonesia's language office - is put in charge of formalizing its grammar and syntax. In the novel (as it was in life), the office is a meeting place for nationalists who seize on Japan's defeat in 1945 to declare independence and adopt Bahasa Indonesia as the new nation's official tongue...

Author: /time Magazine | Title: The Forgiving Kind | 2/19/2009 | See Source »

...factual. But it is the character of Okura, a Japanese officer steeped in samurai values, that gives the novel real soul. Alisjahbana hits a rich seam of tragedy in Okura's battle to reconcile defeat with honor. Only by rejecting the samurai tradition of seppuku, or ritual suicide, can Okura see a future in his shattered country. Dearest to Alisjahbana's heart, of course, is Indonesia's independence, declared in the language he codified. But his depiction of Okura - as a metaphor for Japan's rebirth in a new, humanist world - is evidence of a magnanimous and rare sensibility among...

Author: /time Magazine | Title: The Forgiving Kind | 2/19/2009 | See Source »

Jill Lepore may be known around Harvard as the head honcho of the Hist and Lit Department. But during her downtime she’s been cultivating another personality: a colorful, 18th-century Scottish painter named Stewart Jameson, protagonist in her debut novel, “Blindspot.” Lepore co-authored the book, which is a parody of, and homage to, 18th-century style, with Brandeis history professor Jane Kamensky. “Blindspot” tells the story of romance and intrigue in Revolutionary War-era Boston. FM sat down with the historian for a coffee chat...

Author: By Joseph P. Shivers, CRIMSON STAFF WRITER | Title: 15 Questions with Jill Lepore | 2/18/2009 | See Source »

...company. 6. FM: Which is steamier: Penthouse or Leopold von Sacher-Masoch’s “Venus in Furs?”MBK: Penthouse. It’s not steamy to me...but “Venus in Furs” is not a steamy novel at all. Von Sacher-Masoch has a particular brand of eroticism that is particularly cold and disembodied. His eroticism is more like an ice cube than steam. 7. FM: Complete this sentence: Sex at Harvard...MK: (Laughs) That’s one sentence that is left incomplete. 8. FM: Word...

Author: By Stephanie M. Woo, CONTRIBUTING WRITER | Title: 15 Questions with Matthew B. Kaiser | 2/18/2009 | See Source »

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