Word: novelized
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Dates: during 1940-1949
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...half courses on Elizabethan and Jacobean Drama will be known as English 25a and 25b, and will displace the present courses given by Levin which are courses on the nineteenth century novel, and a course on Proust, Joyce, and Mann, known as English 6 and English...
...English Department suggests that students who wish to study the novel in the periods covered by the courses which Levin is ommitting will want to take English 5a, the eighteenth century novel, and English 5b, the nineteenth century novel. George W. Sherburn, professor of English, will give the first of these courses, and David Worcester, Faculty instructor in English, will give the second...
...tide has turned. Perhaps this Younger Crowd has noticed that a generation of economic theorists has not exactly solved the ills of the world and decided to adopt a mass what-the-hell-let's-read-a-novel-and-forget-it attitude. But that's a pessimistic view. Let's think of it as a wave of culture sweeping into the Yard and driving the arid Social Sciences before it. It may well be that a new and inspired race of authors, playwrights, and poets has entered the College and that twenty-nine years from now 117 J. P. Marquands...
...most sensational product of the U. S. movie industry. It has found important new techniques in picture-making and storytelling. Artful and artfully artless, it is not afraid to say the same thing twice if twice-telling reveals a fourfold truth. It is as psychiatrically sound as a fine novel but projected with far greater scope, for instance, than Aldous Huxley was inspired to bring to his novel on the same theme. It is a work of art created by grown people for grown people...
This week Edison Marshall, a ranking adventure serialist, moves into the field of the legitimate novel and gets the Literary Guild's accolade for March. Benjamin Blake has everything a best-seller needs: an alliterative title, a fat part for Tyrone Power when it reaches the films, and the ingredients of what critics like to call a rattling good yarn. It is set in the 18th Century, sauced with its political restiveness, and skillfully served up in a fake-archaic, first-person prose that has fibre enough to support a novel twice as serious...