Word: novelized
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Dates: during 1950-1959
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This Angry Age. A strong but uneven picture, derived from The Sea Wall, a memorable novel about French pioneers in Indo-China; with Anthony Perkins and Jo Van Fleet (TIME, June...
...Certain Smile (20th Century-Fox), like the film version of Françoise Sagan's earlier novel, Bonjour Tristesse, puts aside bored yawning, Sagan style, for well-bred panting, Hollywood style. In the book, precociously world-weary Dominique ho-hums her way through a pair of parallel love affairs, finding no lasting happiness or pleasure in either of them-only a wan, temporary escape from ennui. But Hollywood's Dominique (French Actress Christine Carere) is as pert and wholesome as a cheerleader in love with the football captain. So what if she spends a week on the Riviera...
...Naked and the Dead (RKO Tele-radio; Warner), to those who never read Norman Mailer's mammoth 1948 war novel, will seem a grim, visually gripping film. It is one of Hollywood's more rugged excursions so far into neorealism. The naughty words "hell" and "damn" are sprinkled like matinee popcorn through the script, and enough torsos are dismembered to satisfy Jack the Ripper. But those who read Author Mailer's bestseller will miss its biting honesty and unrelenting conclusion...
...Bystander is a slick novel, but its precision can't quite make up for the fact that a few things in this world do transpire outside the double-bed. The most effective scene is Anthony's gambling; the least effective are Anthony's introspective monologues. Some of the descriptive passages are pat and common coin from the American Weekly and the Advocate. The pages are littered with italicized French terms. Perhaps because the style is adopted, it is self-conscious. Guerard has the disturbing habit of affirming himself in the middle of a sentence with a superflous...
...publishers and a number of critics have made much of the novel's "economy" of presentation. It is a strange economy, an economy which reduces the 18 years of squalor to a few paragraphs, and yet sends its protagonist back to the squalor as a pawn of Guerard's "reality." It is an economy which, when employed, too often fails to satisfy the curiosity; and which, in its lapses, overelaborates the same sort of sex affair people have confessed to in railroad club cars for a quarter-century...