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Word: novelized (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...HEART IS A LONELY HUNTER. This adaptation of Carson McCullers' novel turns most of the author's poetry to humdrum visual prose, but Alan Arkin as the gentle, selfless mute John Singer lifts the film out of the ordinary...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

...proved herself a troublesome opponent in the past. In 1967, she was arrested for her role in organizing a farmers' protest march to demand additional U.S. compensation for damages suffered when three U.S. nuclear bombs accidentally fell near Palomares. This time, the problem centered on an explosive novel that she had written called The Strike. After a year of contention, the case reached its climax last week-with a notable victory for the fiery author...

Author: /time Magazine | Title: Spain: The Duchess Prevails | 10/11/1968 | See Source »

CARSON McCULLERS should have left her first novel untitled. Its story of a deaf-mute who becomes a confessor for an odd assortment of searching, lost human beings has in my opinion been generally overrated. Her book is good, but it hardly lives up to the promise of its haunting, haiku-like title -- The Heart is a Lonely Hunter...

Author: By Gregg J. Kilday, | Title: The Heart Is a Lonely Hunter | 10/5/1968 | See Source »

...film version has taken the relationship between John Singer (Alan Arkin), the deaf-mute who unites the five disparate subplots of the novel, and a young girl named Mick (Sondra Locke), and made it the central theme of the movie. Curiously, although we now see more of Singer, he has become a guardian angel rather than the guiding light he was in the novel. One no longer has the feeling that his presence is essential in the lives of most of the characters. He now just hovers about at a distance. Singer's tragedy--the fact that he never really...

Author: By Gregg J. Kilday, | Title: The Heart Is a Lonely Hunter | 10/5/1968 | See Source »

...book's most perceptive delineations--plays like a Black Power version of Secret Storm. Its climactic carnival scene is as baroque as the conclusion of Sinatra's Some Came Running. Stacy Keach, of MacBird, is left with nothing to do. His character, a thirties radical in the novel, has been reduced to a drunken bum (someone was afraid to dirty their camera in politics). And Singer's mute friend is grossly overplayed. I don't object to the elimination of these characters--that is the film's perogative--but I must take issue with such cardboard remains...

Author: By Gregg J. Kilday, | Title: The Heart Is a Lonely Hunter | 10/5/1968 | See Source »

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