Word: novelized
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Dates: during 1960-1969
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Boudin's novel style delayed his recognition in Paris, but discerning Americans were soon buying his "marines," and last week many of those still in U.S. collections, as well as some canvases from France, were gathered into his first American retrospective by Manhattan's Hirschl and Adler gallery...
...Quiet One. Several elements serve to explain Dos Passes' eclipse. A change in literary fashion left him beached with the wreckage of the realistic novel. A change in intellectual-political fashion, moreover, left his best work tainted by identification with the social-protest or even "proletarian" production of the Red Decade. This offense was compounded by the fact that his later work gave aid and comfort to the right, just as his earlier books had succored the left. The three novels that constitute District of Columbia (1952) have been unfairly dismissed as the rightist tracts of an embittered...
Thirty years ago, when Dos Passos wrote The Big Money, the second novel of the U.S.A. trilogy, a TIME cover story (Aug. 10, 1936) saw him mainly as a valuable contemporary historian, a journalist of genius rather than a novelist-the composer, as Dos Passos puts it now, of "a narrative panorama to which I saw no end." These judgments pertain today, though it is also true that the work that stood "midway between history and fiction" was fiction all along. Dos Passes' bare, flat non-style, in which events-tragical, comical, pastoral or historical-were impersonally told...
...paces to the left and three to the right. There is a core of consistency in his work that reconciles the "left" tone of U.S.A. with the "rightist" color of District of Columbia. Big Business was the enemy in U.S.A. In District, the focus of power shifted: the first novel in that trilogy dealt with the power of Communism to corrupt innocent idealism; the second was a primer on political demagoguery; the third a parable directed against the emotional debaucheries of the New Deal in its Popular Front war phase. Most Likely to Succeed, his latest novel, repeats that theme...
...that at 45, Ustinov has few worries. Successful as actor, director, composer, mimic and raconteur, he has also established himself as an author of respectable talent and prodigious output. Besides 16 plays (including The Love of Four Colonels and Romanoff and Juliet), he has tooled a better-than-average novel, The Loser, a collection of short stories, Add a Dash of Pity, and two volumes of better-than-average caricatures...