Search Details

Word: novelized (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

DIED. MacKinlay Kantor, 73, prolific writer best known for his Pulitzer-prizewinning novel Andersonville, which depicted the brutalities of a Confederate prisoner-of-war camp; of a heart attack; in Sarasota, Fla. Kantor, great-grandson of a Union Army officer, first became intrigued by the Civil War at the age of ten, when he perused a Civil War encyclopedia. The intrigue became an obsession 20 years later as he launched his 42-book career. A stickler for accuracy, he did prodigious research, visiting and revisiting Gettysburg and Andersonville for his Civil War novels and flying eleven combat missions with...

Author: /time Magazine | Title: Milestones, Oct. 24, 1977 | 10/24/1977 | See Source »

Richard Brooks has made so many crude miscalculations in adapting Judith Ressner's bestselling novel to the screen that it is surprising that he mustered the wisdom to pick Diane Keaton as his star. In the role of Theresa Dunn, a Catholic schoolteacher who cruises singles bars at night, Keaton is everything the rest of this movie is not: provocative, affecting, scary. She creates a heroine who is at once sexual aggressor and victim, lady and tramp, and she relentlessly savages most pat notions about the nature of womanhood. It is a spectacularly daring performance whose meaning sadly eludes...

Author: /time Magazine | Title: Cinema: Diane in the Rough | 10/24/1977 | See Source »

...characters is equally simplistic. Not only does he come very close to making Theresa into a harlot, but he also transforms the men into brutish stereotypes. The heroine's father (Richard Kiley) and first lover (Alan Feinstein) are far less sympathetically drawn than they were in the novel. Theresa's one appealing suitor (William Atherton), whose sweetness should leaven the story, becomes as cruel as the rest. Only the Italian stud Tony, played with magnetic ferocity by Richard Gere, seems remotely human...

Author: /time Magazine | Title: Cinema: Diane in the Rough | 10/24/1977 | See Source »

...societies, which he pictures as technological utopias, has always been "Where do we go from here?" Now Clarke himself may be a writer with no place to go. After the success of 2001: A Space Odyssey, the film based on Clarke's screenplay, came Rendezvous with Rama, his 1973 novel which took the Hugo, Nebula and John W. Campbell awards for science fiction. Arthur C. Clarke has become a hard act to follow, particularly for the author himself...

Author: By Adam W. Glass, | Title: 1977: A Space Stalemate | 10/21/1977 | See Source »

...Clarke novel superior aliens arriving in the form of a black monolith, the Devil, or a spaceship as big as a planet, would resolve the stalemate, usually by initiating man into a higher consciousness. Overmind--mind without matter--is the highest product of evolution in Clarke's scheme. Such a mind can flit from star to star, experience eternity as a single instant, and generally paint the universe red. (so if you were wondering what that baby floating across the stars at the end of 2001 was all about, now you know...

Author: By Adam W. Glass, | Title: 1977: A Space Stalemate | 10/21/1977 | See Source »

Previous | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | Next