Word: novelized
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Dates: during 1970-1979
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...characters in Between the Lines come in pairs. Michael, a handsome writer selfishly intent on finishing his first novel, is married to vulnerable-looking Laura (Gwen Welles). Their opposite numbers are Harry (John Heard) and Abbie (Lindsay Crouse), a writer and photographer whose on-again, off-again relationship composes thz film's central thread. Heard is so blondly good-looking, gifted and vulnerable, that it's hard at times to understand Crouse's reluctance to stay paired up with him. The chief explanation the film offers is that Abbie is in some ways Michael's counterpart--as laden with egotism...
...decrees that these social signposts be regarded as fads. Such a viewpoint belittles the cumulative impact of these Sixties trademarks. They exist now only in our memories, yet, at that time, all had a particular social purpose; none were merely inventions of an aberrant Madison Avenue mind. In his novel Home Free, Dan Wakefield reduces the symbols of the flower child era to cliches and stereotypes, and in so doing, he joins the ranks of those who wrongly dismiss the outgrowths of that period as psychedelic nonsense...
...path which either intersects or diverges from Gene's travels. No extra attention is given to making these people more memorable by depicting them in fuller detail. Wakefield's choice to eliminate dialogue is an unfortunate one, since some intelligent conversation between these characters might have salvaged the novel, even marginally...
Condon's 15th novel is a brittle comedy of bad manners. His prince is a dissolute leech on the public treasury who agrees to marry his German cousin only because Parliament will then begin to cover his royal debts. After meeting his intended, the prince whines that he is "going to have to live with that smelly thing for the rest of my life." In a characteristic gesture, he appoints his current mistress as Caroline's lady of the bedchamber. For her part, Caroline quickly takes the cut of the prince's jib and calls...
...immigrant named Luigi--call him Lou--wanted his son to grow up to be a cultured gentleman, to smoke cigars and read good books. Lou knew a lot about Harvard, he had seen the picture of the bell tower on the glossy catalogue cover, had read every Louis Auchincloss novel, so he was sure it was a classy place. And he was shelling out 7000 bills a year so his son could absorb a little of that class. Carlo knew all that, and figured at least the housing office could have given him a roommate who had gone to prep...