Word: novelized
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Dates: during 1980-1989
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...talking about Novelist Gore Vidal, disparager of all mankind, Reagan got a twinkle in his eye and allowed as how even Vidal might err. A passage in Vidal's novel Lincoln had the Great Emancipator standing in the White House staring out of a window. By his calculation, chuckled Reagan, if Lincoln had been where Vidal placed him, he would not have seen what Vidal described...
Almost always dressed in a natty but rumpled suit, Pivot, 52, is an unlikely candidate for stardom. The son of a winegrower and grocer in Lyons, he attended journalism school in Paris. In 1958, after dabbling in financial reporting and writing a novel, he applied for a job on the literary supplement of the Paris newspaper Le Figaro. Pivot knew little about literature, but the editor happened to be a wine connoisseur and was impressed by Pivot's knowledge of Beaujolais, the wine from the countryside near Lyons. Thus Pivot broke into the life of letters "totally by chance...
This sinister news sets the novel on its final approach: a cautionary tale about the power of negative thinking, or, as one Alnilamist puts it, "Everything will be simple: simple and deep. There won't be anything else; only nihilism and music." Compared with the allusive qualities of the book, such statements can seem as obvious as a Goodyear blimp. But they cannot overshadow Dickey's talent for mating small details, his audacious lyric power and technical risks. At times he splits the page into two columns, the left registering the impressions of Cahill, the right a simultaneous visual sighting...
...think that this has ever happened before," said Matlock. Such lofty authorities from the U.S., their minds stuffed with the greatest secrets of the nation, had never clustered in the bear's den, for the simple, spy- novel reason that they might be compromised and the vital stuff sweated out of them...
...Kubrick returns to the movie mainstream, he also waters down his material with a Hollywood ending. So far, he has closely followed his source novel, Gustav Hasford's taut, scary The Short-Timers. Now -- we will say no more -- Kubrick pretties up the climax with a bogus moral dilemma and some attenuated anguish. A viewer is finally left to savor earlier delights: the dialogue's wild, desperate wit; the daring in choosing a desultory skirmish to make a point about war's pointlessness; the fine, large performances of almost every actor (Ermey and D'Onofrio seem sure shots for Oscar...