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Word: novelized (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Throughout his ambitious literary career, Mexican author Carlos Fuentes has never been afraid to cross boundaries. He has explored all genres from poetry to drama, from short story to essay. And within his favorite genre, the novel, he has also transgressed all boundaries, ignored them, and created a single entity in which history and myth, time and space, are all blended together...

Author: By Inigo L. Garcia, | Title: Fuentes: Transcending Barriers | 12/9/1985 | See Source »

...novel "Terra Nostra" (1975), Fuentes sets out to reconstruct a mythical history of Latin America. In this 800-page work, fictional characters and historical ones appear together, past, present and future mingle as Fuentes narrates the birth of the New World. The novel focuses on the beginning of Latin American history when two worlds are brought together by Columbus: that of Spain, already a battlefield of the Arabic, Jewish and Roman cultures, and that of America with its native populations. "Terra Nostra" represents knowledge through imagination--a knowledge that cannot be found in the history books...

Author: By Inigo L. Garcia, | Title: Fuentes: Transcending Barriers | 12/9/1985 | See Source »

...have so much to say that even 1000 pages are sometimes not enough to say it. Yet in 800 pages of "Terra Nostra," which take us from the Roman Empire to the year 1999, that is what Fuentes attempts to do: to say it all, to write the total novel...

Author: By Inigo L. Garcia, | Title: Fuentes: Transcending Barriers | 12/9/1985 | See Source »

...honestly do not think that being able to sit down and work on a novel at the age of 20 is a sign of talent. In fact, I prefer someone who writes shop price and develops his style to someone who has been typewriting the same work for two or three vears," Gadol savs...

Author: By Andre T. Dryansky, | Title: Aspiring Novelists Re-Joyce | 12/6/1985 | See Source »

...original novel, written by coscreenwriter Gerald Petievich (a former Treasury agent) was an absorbing tortoise-and-he-hare yarn about two separate teams of T-men on the trail of the same master counterfeiter. But Freidkin kills off the tortoise (a sympathetic older cop on the eve of his retirement) in the first reel to provide Chance, his amoral anti-hero, with a stock revenge motive; yet he then fails to develop this element of the story. He cut out the emotional heart and balance of the book, and you can only assume that this is exactly what he wanted...

Author: By Tim Hunter, | Title: Moldy Melodramas | 12/6/1985 | See Source »

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