Word: novelness
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Dates: during 2000-2009
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Moreover, the genocide in which we presume Austerlitz’s mother was murdered (this is never stated explicitly) is manifest in the fragments of evidence that Austerlitz finds in archives and books, and in the unattributed photographs that punctuate the pages of the novel. This is clearest towards the book’s end, in an extended description of a film made by the Nazis on the occasion of the Red Cross’s inspection of Theresienstadt in 1944, mendaciously depicting the prisoners of the camp enjoying life in what resembles a holiday resort. Austerlitz slows the film...
...while “Austerlitz” shares these works’ fixation on uncovering the histories of forgotten people and places, its odyssey is a darker, more troubling one, and its construction more deliberate. The novel is preoccupied with the line that separates being from non-being, a line that blurs and trembles when we realize the contingency of our present existence on the now-invisible events of the past. For this reason, it is tempting to read “Austerlitz” as Sebald’s swan song, haunted, as it is, by one man?...
...global financial meltdown weren’t enough, this spring introduced scary words like “novel virus” and “pandemic,” bumping the financial crisis off the headlines. The attention-grabbing RNA virus took the world by surprise and, thanks to air travel, spread rapidly from its origin in Mexico to every continent. The virus’ spread was a perfect storm of mutation (a combination of swine, human, and avian elements), little to no human immunity, and no available vaccine against it. To make matters worse, everyone was touting its similarity...
...heart of ASP’s “The Taming of the Shrew” is an uninspiring staging of Shakespeare with one novel idea that runs out of steam before the action really starts. The production begins as a smart, entertaining, and stimulating evening of theater, but it quickly loses its way. While it has some redeeming qualities and moments throughout, this performance simply feels lackluster. You could pay a visit to the Wild Cat this coming week, but, frankly, your money would be better spent at a real...
...Moya’s novel is a critique of the hunger for power that seized the Salvadorian political landscape in the early 1990s. Moya’s use of a compromised narrator lends his representation of these powers a disturbing air, a feeling that the governing entities were so corrupt that only someone completely out of touch with normalcy could imagine the mere possibility of such wrongdoing. The novel leaves behind a sense of injustice that resonates well beyond the incidents of his characters and brings to light a story of crime outright that has long been overlooked...