Word: novelness
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Henry’s book is initially denied publication. According to Henry’s publishers, corporate bookstores would not know how to classify or market what Henry calls a “flip-book,” with a novel on one side and an essay on the other. The book, therefore, would be doomed from the start. So discouraged by this, Henry goes into a period of artistic withdrawal, in which he cannot bring himself to write. It almost seems that Martel is making a private joke, as he proceeds, in the rest of “Beatrice...
...Virgil,” not even when the book culminates in its final moment of overwhelming crescendo, as Martel’s characters find themselves trapped in an eruption of hell-like flames. Like the echoing themes of a fugue, all the components of the Martel’s novel fit tightly together, leading up to one ultimate moment of terror...
Based on a Nicholas Sparks novel, the film explores the family drama that ensues when Ronnie (Cyrus) and her brother are sent to spend the summer with their father (Steve Miller). Ronnie clearly resents her father because of her parents’ recent divorce, a resentment that leads her to push aside her brilliant talent as a Julliard-bound pianist in favor of an emotional seclusion from anything that reminds her of him. However, upon meeting the handsome Will Blakelee, played by Liam Hemsworth, Ronnie is able to soften her heart and open it to her family again, bonding with...
...Americans are great forgetters.” So declares reporter Welborn McIntyre in one of the oldest fragments of Ralph Ellison’s unfinished second novel, “Three Days Before the Shooting....” Previously available only in heavily-edited form as “Juneteenth,” it is a work in which the most significant voices are those dedicated to memory and to the preservation and interpretation of experience—whether through reporting, storytelling, preaching, or even prophecy. McIntyre’s proclamation stands as a challenge to an entire nation...
Spanning over 2,000 manuscript pages and four decades of work, the novel’s incompleteness does not undermine the masterful and comprehensive expression of an author whose first novel alone, “Invisible Man,” was enough to vault him into 20th century literary canon. Like “Invisible Man,” Ellison’s unfinished novel addresses the construction of personal, racial, and national identities. The sheer number of voices represented makes this second effort a Faulknerian pinwheel of shifting perspectives. In his notes, Ellison explains that he was attempting...