Word: novels
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...Innocence. Movies, and movie critics, so regularly champion the audacious, the reckless, the most, that an achievement like Martin Scorsese's & with this impeccable adaptation of an Edith Wharton novel may be overlooked. The plot brings together a gentle man (Daniel Day-Lewis) and a worldly woman (Michelle Pfeiffer). But the true subject is reticence, its charms and perils -- the mannerly, orderly life that most of us try to live. Tiptoeing through the plush parlors of old Manhattan, the film finds ecstasy in the kissing of a lady's wrist, and heartbreak in a sigh. This, then, is Scorsese...
Grisham's Law It should be a snap to adapt a John Grisham thriller. Read the novel, compress the exciting first half, rewrite the rest, keep it moving. Well, the films of The Firm and The Pelican Brief maunder and mope as if Grisham were Graham Greene. Not that it makes any difference. The Firm was 1993's third biggest grosser; Pelican is a cool Christmas...
ROBERT JAMES WALLER Bridges of Madison County lives on the best-seller list all year, only to be displaced at No. 1 by his new novel...
Alan Hollinghurst does not expect to be understood. In Chicago, the previous stop on a promotional tour of his 2004 novel “The Line of Beauty,” his audience was reduced to six when the book discussion conflicted with a White Sox game. And at the outset, this final stop in Cambridge portends another embarrassing disconnect between author and reader: “a gay British guy and a straight American teenager walk into a café” (Algiers, to be precise) sounds more like a weak joke than the convening of kindred spirits...
...pages that comprise Salman Rushdie’s latest novel, “Shalimar the Clown,” he carries us spellbound from Hinduism to Nazism, Krishna to Allah, and Kashmir to California. Along the way, he examines and shatters traditional notions of love, vengeance, nationalism, seduction, and betrayal. By the end of this journey, Rushdie forces readers to realize that when all masks and motives are stripped away, there are no winners and losers, only interconnected individuals with a present to be lived and a past to be learned and retold. Throughout, Rushdie uses a subtle, potent...