Word: novels
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What's gutsy is that writer-director Jason Reitman (adapting Walter Kirn's novel) is springing a movie about a toxic social problem at a time when more than a tenth of the workforce is out of a job. Moreover, Reitman hired a few dozen unemployed nonactors to play the parts of staffers who get the hook. These folks aren't performing; they're bleeding on camera. (See pictures "Glitz and Glamour at the Venice Film Festival...
About 15 organizations, including Mission Aviation Fellowship, New Tribes Mission and JAARS, put up the financing to develop the prototype and created a trust to start product development. "It was a completely novel idea born out of the fact that I didn't want to raise venture capital and lose equity control of the company, nor did I want to have to pay back high-interest loans and executive salaries," Voetmann says. "Honestly, our aim was not to make money but to find a way to help others," says Hamilton...
...Twilight Saga: New Moon, $140.7 million, first weekend 2. The Blind Side, $34.5 million, first weekend 3. 2012, $26.5 million; $108.2 million, second week 4. Planet 51, $12.6 million, first weekend 5. Disney's A Christmas Carol, $12.2 million; $79.8 million, third week 6. Precious, Based on the Novel "Push" By Sapphire, $11 million; $21,4 million, third week 7. The Men Who Stare at Goats, $2.8 million; $27.6 million, third week 8. Couples Retreat, $2 million; $105 million, seventh week 9. The Fourth Kind, $1.7 million; $23.3 million, third week 10. Law Abiding Citizen, $1.6 million; $70 million, sixth...
...Armies” begins with an epigraph from Moliere: “N’y a-t-il point quelque danger a contrefaire le mort?” (“Is there not some danger in refusing death?”). Rosero’s novel offers us an answer: to refuse death is to invite madness in the form of Ismael’s cultish devotion to his missing wife. But it is also to maintain a kind of integrity, to supplant the inevitability of death with the logic of love, by marshalling...
Jonathan Safran Foer is fascinated by trauma. His first novel, the critically acclaimed “Everything is Illuminated,” chronicled his young facsimile’s eastern European journey to unpack the lives of his Holocaust-survivor relatives. “Extremely Loud & Incredibly Close,” his second, was a deeply-felt emotional mosaic about the resonance between the 9/11 attacks and the Dresden firebombings. Foer’s first work of nonfiction, “Eating Animals,” has a different sort of trauma in mind: the suffering inflicted on livestock...