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...strippers (who had heretofore included Sopranos Helen Jepson and Lily Pons) and in the seduction scene gave Samson (barrel-shaped Tenor René Maison) quite a going-over. But critics doubted that the Stevens pleasing midriff and voice were enough to make Saint-Saë'ns' shopworn opera an event...
...been germinating in Disney's mild-looking head for several years. Even before he did Snow White he had a vague notion of some day doing a serious opera in animovie style. As early as 1929 he raided the high-brow symphonic repertory to make Saint-Saëns' bone-rattling Danse Macabre into a Silly Symphony. But the idea did not really sprout until early in 1938, when Leopold Stokowski, on a visit to Hollywood, begged Disney to let him conduct the music for The Sorcerer's Apprentice, a Mickey Mouse short. Disney didn...
...Schellenbaum (bell tree), an instrument of Moorish origin, looking like a brass Christmas tree hung with bells and horse tails. It is the only Schellenbaum owned by a U. S. orchestra. The Chicago Symphony, which got it as a gift from the late Composer Camille Saint-Saëns, trots it out rarely. But last week, when the Symphony began its soth season, its 36th under the still competent baton of stooped, white-haired old "Papa" Frederick Stock, was one of those times...
...waiting in the wings for a career, has had an elegant, last-minute, Gallic primping: a summer at Fontainebleau near Paris. Dr. Walter Damrosch started the idea, after running a wartime school in which U. S. bandmasters took a high French polish. The late Composer Camille Saint-Saëns helped found, and the late Composer Maurice Ravel long figure-headed, Fontainebleau's American Conservatory, for which the French Government made available the Louis XV wing of the old royal palace. As many as 180 students worked with France's greatest music teachers there each summer...
...Heifetz, Heifetz plays Saint-Saëns' Introduction and Rondo Capriccioso one night at Carnegie Hall. In the audience is a slum boy (Gene Reynolds), who found a ticket in the lobby, failed to sell it to anyone at the door. Heifetz' fiddle stirs in this embryonic cutpurse the will to resume his own studies on the violin. When the charitable music school which takes him in finds itself in an understandable financial jam, Heifetz is touched for a $5 bill, promises to attend the school's concert if he can. Although making him keep this amiable...