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...Harvard hail from all points on the globe. Before coming to Harvard, my conception of foreign lands was limited to my experiences at Epcot. I could sing you the song from the boat ride at Mexico, critique the cuisine of Italy or identify the music of Saint-Saëns in the film about France, but I had never met anyone from any of these countries. Befriending international students at Harvard, I have learned much more than Disney could teach me. And I can testify that it is, indeed, a small world after...

Author: By Kristin E. Kitchen, CRIMSON STAFF WRITER | Title: The Second Most Magical Place on Earth | 2/21/2002 | See Source »

Arpino, co-founder of The Joffrey Ballet of Chicago, impresses, though, with Suite Saint-Saëns, which sparkles with a playful beauty and shows off a distinctly American spirit. Though the choreography is based in the style of classical ballet, it contains many modern elements and is blessed with a strong athletic theme that lends the piece a delightfully informal...

Author: By Erin K. Kelly, CRIMSON STAFF WRITER | Title: Miscast ‘Midsummer’ Far from a Dreamy Night | 9/28/2001 | See Source »

...lighting of Suite Saint-Saëns, originally designed by Thomas Skelton and here recreated by Linda O’Brien, creates an intimate space on the stage that highlights the communal feeling between the dancers as they weave in and out of the principal focus of motion. The show leaves the audience with the memory of a beautiful ballet and excited about the promise of the grand theatrical piece to come...

Author: By Erin K. Kelly, CRIMSON STAFF WRITER | Title: Miscast ‘Midsummer’ Far from a Dreamy Night | 9/28/2001 | See Source »

Unfortunately, A Midsummer Night’s Dream did not live up to the expectations produced by Suite Saint-Saëns. It is not the choreography that misfires, as the dance is interesting and generally innovative, even if certain dances, like Oberon’s variation, seem crammed in, with insufficient motivation and emotion...

Author: By Erin K. Kelly, CRIMSON STAFF WRITER | Title: Miscast ‘Midsummer’ Far from a Dreamy Night | 9/28/2001 | See Source »

Tara Hench, who danced so well in Suite Saint-Saëns, does not carry her success over into her portrayal of Helena. Her acting was expressive, and she did capture the frustration and despair of the character, but her awkward arms distracted from her dancing and acting, contributing heavily to the downfall of her performance...

Author: By Erin K. Kelly, CRIMSON STAFF WRITER | Title: Miscast ‘Midsummer’ Far from a Dreamy Night | 9/28/2001 | See Source »

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