Word: nude
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Dates: during 1970-1979
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...began with a stint as TV's Chiquita Banana lady. The next time Barbara Carrera is seen peeling anything, however, it will be the clothes off her back in a new sci-fi epic titled Embryo. "I had a lot of qualms about it," she says of her nude scene with Co-Star Rock Hudson, a physician-researcher who cultivates Barbara from birth, so to speak, in his basement laboratory. In her role, the Nicaraguan-born actress grows quickly into the good doctor's lovemate, then a dope addict and finally a 120-year-old hag. Though...
...sexual differences," easily aroused sexually, and in fact are masturbating as part of normal development. Dr. Galenson feels that adult sexual problems like frigidity may have their origins in these early months of life. To minimize these disturbances, she suggests that parents not flaunt sexual differences by marching around nude in front of young children or show strong disapproval of masturbation. Parents should also be constantly available to their children during the critical and insecure age of 15 to 17 months...
...rather syrupy, amiably melodic pop-rock score by Thomas Koppel. Shrouded in a black plastic mantle, Death stalks, pointing, closing doors, and in general mopping up human fallout from air pollution. In one scene a rich man strips and frantically slathers his body in red disinfectant. The much-vaunted nude orgy takes place in a boutique where women tussle greedily over clothes and jewels. It occupies about four of the work's 80 minutes...
With its insistent use of racial slurs, its delight over words like "shit" and "fart," and an occasional gratuitous nude body, Tunnelvision is just like TV, only filthy. TV's story concepts are shallow copies of one another, and so are Tunnelvision's. TV news is flat, superficial and preoccupied with appearance. So is Tunnelvision's parody of it. With nothing more going for it than a high recognition factor for what it spoofs, Tunnelvision is an empty repetitious imitation of an empty, repetitious imitation. And, to paraphrase Santayana, one wasteland is enough...
...more compelling social questions which the movie raises--why Chris fails to understand how anyone could take her half-nude, public come-on seriously ("I was just doing my job," she says simply, why Stuart at first makes an icon of her and never quite loses his attitude of reverence, even after the rape--hover tantalizingly over the early scenes but are dissipated in the rude glare of simple melodrama...