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...hearing. Purdy’s lawyer, Fransisco J. Fernandez, said that the masseuses had not been asked back to work. Purdy moved into the space on Arrow Street in 1990 and has since subdivided the property to include an art museum that features his own paintings as well as nude photography. Purdy began to offer massages in 1996 after an employee volunteered to perform the service. Before long, Purdy started intensively studying and training employees in massage techniques, and he eventually hired new employees specifically as masseuses. But two months ago, complaints against About Hair were filed with the Cambridge...

Author: By Sarah E.F. Milov, CRIMSON STAFF WRITER | Title: Salon Owner Appears in Court | 11/14/2005 | See Source »

...occasionally happened at the expense of the players—one time, as I was interviewing an outfielder, a teammate came up behind him and ripped off his towel mid-interview. It’s hard to say who was more embarrassed, me or the 6’4 nude 19-year...

Author: By Lisa Kennelly, CRIMSON STAFF WRITER | Title: There for the Bats and Balls | 11/9/2005 | See Source »

Leverites who enjoy the occasional nude studying binge in their rooms might want to consider covering...

Author: By Joshua E Lachter, CONTRIBUTING WRITER | Title: Workers Could Enjoy Leverett Eye Candy | 11/9/2005 | See Source »

Baring it all used to be a routine part of orientation. Between the 1880s and the 1940s, the University required new students to pose nude for “posture pictures” as part of the regular heath exam. Of the approximately 3,500 subjects who stripped down for the camera, those deemed to have poor posture were required to take a corrective health class, the New York Times Magazine reported in 1995. W.H. Sheldon, a Columbia University physique scholar, had sold the idea of “posture pictures” to all the Ivy League colleges. Sheldon...

Author: By Lena Chen, CONTRIBUTING WRITER | Title: Standing Tall (and Naked) | 11/2/2005 | See Source »

...Other projects, however, used the artistic form to scrutinize society. Cailin M. O’Connor ’06 explored the realm of feminism by printing vivid and even shocking images of women—ranging from the classical nude to the bonded victim—on ripped, square pieces of white textiles. She also combined these prints with a multi-colored, abstract drip technique and chose to present the pieces by leaving them scattered on the floor of the studio, accompanied by a photograph of a similarly random arrangement on the asphalt of a parking...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: VES 123r. Post Brush: Studio Course | 10/27/2005 | See Source »

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