Word: numbered
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Dates: during 1950-1959
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...Premier will be welcomed to U.S. soil by President Dwight Eisenhower and other Government and military leaders. Metropolitan police. Secret Service and State Department security officers will line his route from the airport to Blair House, his official guest quarters across Pennsylvania Avenue from the White House. A minimum number of Soviet red flags will be displayed by the U.S. in Washington; there will be no parades through red-flag-decked streets. On his first night, Khrushchev will attend a formal dinner given by the President, and the next day will visit the Agricultural Research Center at Beltsville, Md., address...
Happy at McCall's, scholarly-looking Herb Mayes works 65 hours a week including Sundays, dashes up and down the halls, teases attractive young lady staffers ("Salute me,baby!"). He has multiplied the number of products in McCall's "Use-Tested" program, is installing a beauty clinic and textile and chemical labs, plans to test food products, toilet goods and cosmetics in an attempt to catch up with Good Housekeeping's seal of approval testing program. Indeed, Herb Mayes's plans for McCall's have few limits: he predicts he will overtake the Ladies...
...wife Marjorie, and their three children was a story of emergencies and hardships that would pale the most jazzed-up TV script. Nate wrote of hairbreadth landings on narrow jungle airstrips that were "like parking a car at 70 miles an hour." Nate's "parish" covered a growing number of Protestant mission stations in eastern Ecuador. "It is our task," he wrote, "to lift these missionaries up to where five minutes in a plane equals 24 hours on foot . . . It's a matter of gaining precious time, of redeeming days and weeks, months and even years that...
...surprise, the festival's standout was the Dave Brubeck Quartet. Blending classical and jazz traditions with a masterful touch, Milhaud-trained Pianist Brubeck (TIME cover, Nov. 8, 1954) and his mates (Eugene Wright on bass, Joe Morello on drums, Paul Desmond on alto sax) made each number sound like a theme and variations. The quartet usually started with well-known tunes (These Foolish Things, St. Louis Blues), then varied the tempo (from 4/4 to 5/4 and back to 3/4) as it injected its own sometimes loud, sometimes soft designs. The solo lead flew like a badminton bird from...
...Lewis, who make jazz sound like a 19th century tone poem. With a sharp, clear vibes, a versatile piano, a bass and a set of traps, the quartet warmed up with a cool version of I'll Remember April, approached mastery in its last offering, a three-part number (The Singer, Harlequin, Contessa) delivered in a boogie-woogie, bass-led tempo and highlighted by an atonal, polyphonic piano...