Word: numbersã
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...together tonight,” Moretzsohn said. The Crimson cooled down a bit after a hot first half. Harvard shot 51.9 percent from the field, 80 percent from three-point land, and didn’t miss a single free-throw in the opening frame. And although its final numbers??48.4 percent field goal shooting, 54.3 percent from beyond the arc, and 77.3 percent from the free-throw line—faltered, it remained the kind of consistent output that will help the Crimson continue to compete as it progresses deeper into the Ivy season...
...coke don’t go hand in hand, because they totally do. You know J.R.R. Tolkein was sniffing those white lines.3. Hurley and the Numbers: Imagine winning the lottery, only to find that the blasted numbers you used were cursed. But Hurley is oddly obsessed with the numbers??do they have cream filling?2. Jack and Sawyer: I see the hot man-on-man sexual attraction. It’s only a matter of time before these fellas go all “Brokeback Mountain” on us. 1. Locke and Rousseau: Obviously...
...nonsensical turns of phrase. Berman’s genius is his ability to invest these caricatures with pathos and existential import: the freaks and geeks that populate Berman songs are transformed into emblems of desire and resignation. The band’s new album “Tanglewood Numbers?? invokes such lyrical oddities as a “young black Santa Claus,” a “depressed pony,” and a “girl from the special economic zone.” Their relative obscurity is particularly frustrating because the Jews...
...Capp said. “They’re even acknowledging that some people might not be interested if they’re giving buses at halftime,” he added, citing Yale’s new rule that buses “in adequate numbers?? will be provided to accommodate students who wish to return to campus after half-time once the tailgate has ended.And UC president Matthew J. Glazer ’06 echoed Capp’s concerns that the regulations could potentially encourage students to drink harder...
...young-Hollywood face. In fact, Gosling so deeply retreats into the depressed, otherworldly character of Henry Letham, memories of his days on “The Mickey Mouse Club” are completely obliterated and the muscles he flexed as a teenage killer in “Murder by Numbers?? are reinforced. The only other redeeming quality of “Stay” is the imaginative, if not purely genius, camerawork. Director of Photography Roberto Schaefer, who also paired with Foster in “Neverland” and “Monster’s Ball...