Word: numbers
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Dates: during 1970-1979
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That did it. Irving hustled down to the motor vehicle office and got new plates with a nice safe number...
...Vietnamese have reversed Pol Pot's most radical policies, allowing some Cambodians to return to the villages and cities from which they were banished as a result of the Khmer Rouge's forced resettlement of farmlands. Hanoi has also allowed a number of activities that were strictly forbidden under Pol Pot, "such as falling in love, taking a little time off from work, and dancing," says Labbe. "There are even some private barbershops and ladies' hairdressing salons in Phnom-Penh." Electricity was operating in every major city Labbe visited. "It seemed strange to be spending my nights...
Inflation, Recession, Iran, Cuba, Unemployment, Taxes, Et cetera, Et cetera. Given the number, gravity and persistence of their country's problems, Americans obviously need occasional relief from national worries so that they can at least try to enjoy their lives as individuals. Yet it has become harder and harder for people to find anything to do or use that does not come with some built-in anxiety. The trouble is that every-where they turn these days, one thing or another is posted with the red flag of danger, if not with the skull and crossbones of mortal horror...
...Gonzalez had left it in the '30s, and given it an extraordinary richness and amplitude. Indeed, his work in three dimensions was so magisterial that it blotted out the rest of his output. For Smith was not only a sculptor, but a draftsman, and his drawings, thousands in number, were an integral part of his life and thought. How important they were in relation to his sculpture can be gauged from the first exhibition of Smith drawings ever held, a showing that opened this month at New York's Whitney Museum. Organized by Art Historian Paul Cummings, this...
...artist of stronger social engagement than most of the abstract expressionists, Smith tried his hand at political propaganda with a set of Medals for Dishonor inspired by the Spanish Civil War, later with a number of drawings that tried, in effect, to do a Bruegel on fascism. These desolate landscapes, populated by knotty women copulating with cannon, are postsurrealist cliches-although they make clear Smith's erotic feelings about steel. Even so, they are full of the harsh, graphic intensity that would soon burst forth in his sculpture...