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Word: nunn (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...McConnell's power. For a lonely maverick on Capitol Hill, it is the source of all that is infuriating about lawmaking: pork barrels, partisanship, gridlock and the refusal of individuals to occasionally heed their consciences instead of their parties. It is why smart men like Bill Bradley and Sam Nunn and Warren Rudman gave up on the Senate entirely, and why McCain can't seem to get a thing past Trent Lott. America seems to agree with him, but it may be long past trusting anyone in office to do anything about...

Author: /time Magazine | Title: Campaign-Finance Reform vs. Big Bucks: How They'll Play in 2000 | 7/9/1999 | See Source »

...NAME SPEAKERS INCLUDE...] Richard Allen, Bill Buckley, Alexander Haig, Edwin Meese, Sam Nunn, Caspar Weinberger...

Author: /time Magazine | Title: Water Everywhere--and Plenty to Drink | 3/1/1999 | See Source »

...ABOUT NIGHTINGALES Looking back, Tennessee Williams probably found his early, unproduced play crude and lacking in poetry. Both are true. But Trevor Nunn's intense production (which had its U.S. debut at Houston's Alley Theatre) also shows off the raw power of a dramatist on the verge of greatness...

Author: /time Magazine | Title: The Best Of 1998 Theater | 12/21/1998 | See Source »

...Nunn's production had its premiere in London in March, and (with the same cast, a mix of British and American actors) is making its American debut at Houston's Alley Theatre. It is a startling theatrical discovery: an impassioned social drama that is as far as one can imagine from the more personal, lyrical style that Williams introduced a few years later in The Glass Menagerie. The earlier play is something of a mess--more than three hours long, with too many characters and subplots, overwrought melodramatics and snippets of dialogue that sound like, well, bad Tennessee Williams (Girl...

Author: /time Magazine | Title: Theater: A Sweatbox Named Desire | 6/22/1998 | See Source »

...Nunn has done a masterly job of taming this unruly work. The audience sits, theater-in-the-round style, on opposing sides of a long stage. At one end is a two-level block of cells; at the other, the warden's office, where every prop--desk, telephone, picture frames, even the American flag--is a grim steel gray. He doesn't soften the melodramatic excesses, yet he emphasizes the metaphorical overtones. There are references to Mussolini and Hitler ("that monkey with the trick mustache"); a Jewish convict laments, "I come of a people that are used to suffer...

Author: /time Magazine | Title: Theater: A Sweatbox Named Desire | 6/22/1998 | See Source »

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