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Advertisements for Judgment at Nuremberg line up the profiles of seven actors, overlapping one another like a hand of playing cards. From Spencer Tracy to Burt Lancaster, all but one are giant stars. The one face scarcely known to U.S. audiences is that of Maximilian Schell, 31-year-old brother of Maria Schell. But as the young defense attorney (a part that was sought by both Laurence Olivier and Frank Sinatra), Schell dominates the film and easily outdoes his more celebrated costars. He is going to become much better known as a performer of unusual excellence and also...

Author: /time Magazine | Title: Show Business: The Other Schell | 1/19/1962 | See Source »

...Nuremberg, Schell's counsel for the defense is a brilliant young lawyer intent on lifting some of the guilt from German shoulders. Citing a precedent from U.S. law back at the U.S. judges, he snaps a book shut and announces in truncated accents that the opinion he had read was from "Oliver Wendell Holmes." His quick-flashing smile is no smile at all, disappearing as swiftly as the sound of clicked heels. A young, black-haired, deep-eyed man with a jut jaw and a strong, handsome face, he looks improbable in rimless glasses and courtroom robes...

Author: /time Magazine | Title: Show Business: The Other Schell | 1/19/1962 | See Source »

Judgment at Nuremberg (Roxlom; United Artists). "I do not know the method," wrote Edmund Burke, "of drawing up an indictment against an whole people." The prosecution at the 1946 Nuremberg trials kept Burke's dictum carefully in mind, but such scruples do not inhibit Producer-Director Stanley Kramer (On the Beach) and Scriptwriter Abby Mann, who also wrote the 1959 television play on which this movie is based. Ostensibly, four Nazi judges are on trial. Actually, by vigorous and frequent implication, the German people are on trial, and in a specious process that rivals in travesty the show trials...

Author: /time Magazine | Title: Cinema: Show Trial | 12/15/1961 | See Source »

...Fanned Lather. Life is going relatively smoothly these days for Judy. She has toured successfully since February, with a short break to play a brief dramatic role in Stanley Kramer's film Judgment at Nuremberg. She will soon tape a television show for next season, is considering a Broadway show. Most important, Judy, at 38, is singing at her best, far above the level of two years ago, when she appeared, puffy-faced and uncertain, at Manhattan...

Author: /time Magazine | Title: Headliners: Over & Over the Rainbow | 5/5/1961 | See Source »

...problem with Eichmann" he says, "is similar to that which confronted the nations at the end of the war. A perfect procedure for dealing with Axis criminals was not attainable. Nuremberg was perhaps the best, and certainly not the worst, of the viable alternatives. The United Nations, while approving the principles of Nuremberg, has not succeeded during the past fifteen years in establishing a recognized, stable international criminal jurisdiction to which resort could be had in a case like Eichmann's. So again in the Eichmann case a choice had to be made among practical alternatives, and it is quite...

Author: NO WRITER ATTRIBUTED | Title: Eichmann Trial: Legality and Morality | 3/24/1961 | See Source »

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