Word: nureyev
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Dates: during 1980-1989
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...Kirov, the revered Soviet classical company that nurtured George Balanchine, Rudolf Nureyev, Mikhail Baryshnikov and Natalia Makarova, came stocked with an impressive repertory. It has been 25 years since it played New York City, and in that time Manhattan has become entrenched as the dance capital of the world. Local fans are well informed and tough. Balanchine, who died in 1983, is still very much the presiding genius, and the purity and speed of his choreography set the pace. In addition to the perennial Giselle and some short pieces, Kirov artistic director Oleg Vinogradov brought his new production...
...lecture series at New York University's School of Continuing Education called "The Creative Edge." Organized by Richard Brown, an assistant professor of humanities, the program uses both film and live interviews to explore the creative process of six great artists: writers Arthur Miller and Tom Wolfe, dancer Rudolf Nureyev, composer and lyricist Stephen Sondheim, actress Helen Hayes and photographer Yousuf Karsh. "We saw this as a special opportunity," says Anne Janas, our manager of public affairs. "These are all people at the top of their fields and people TIME has written about throughout their careers...
...audience that gathered last week for an evening with Nureyev caught a glimpse of the answer. On-screen, the dancer leaped and pirouetted in a dazzling 20-minute film review of his career. But the best was yet to come. When the lights went up, Nureyev strode onstage for a one-hour interview with Brown. The ebullient dancer talked candidly about his theatrical life, from his youth in the Soviet Union to his present role as artistic director of the Paris Opera Ballet. While performances like that are hard acts to follow, TIME and N.Y.U. are already plotting a regular...
...since new generations always do some fiddling with the classics they inherit? It does, first of all, because a story about a prince and his tutor is pretty trivial. Aesthetically it matters, because the heroine gets shunted aside, robbing the work of its drama and focus. And what possessed Nureyev to dredge the swans' lake? In this version they must invade the castle to get into the action at all. There are still things to admire in this work, including the attractive corps de ballet and the exquisite tutus, designed by Franca Squarciapino. Washington Square, set to Charles Ives' music...
...known in the U.S. as Symphony in C. In these, the company showed off some fine dancing, with the Balanchine memorable for the four ballerinas' poignant Gallic flair. At other times, the dancers seemed distant from the music, preoccupied with steps and counts. They could use some better programs. Nureyev, 48, is an overflowing force, but as long as he insists on performing, he will unbalance his company in the effort to provide for himself. In this country, audiences are accustomed to more stringently edited programs, whether among the concentrated riches at New York City Ballet or the more eclectic...