Word: nureyev
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Valentino. Ken Russell's latest turkey can be credited for furnishing an appealing showcase for Rudolf Nureyev's breathtaking prowess on an empty dance floor, but compliments come to an abrupt halt there. We see all the glamor and fame that filled the tile character's moment in the spotlight, but Nureyev's Valentino remains a distant figure, a romantic anachronism bursting forth with panache and charisma and little else. Russell seems to persist in the belief that audiences enjoy having their senses assaulted and will consider it entertainment; grotesques and caricatures dot the screen in "Valentino," evoking some...
...those people who look like sure admits. One person's application about three or four years ago definitely footed that bill. A quick glance at his file revealed some amazing feats. But, under closer observance the officials began to smell a rat. The guy claimed to have danced with Nureyev, run a 9.3 hundred and played in the New York Philharmonic. He said he had gotten all 800s on every test. It's funny the straw that broke the camel's back was his claim that he was an All-American soccer player. "There was just too many things...
Lord Snowdon would prefer to be known as a photographer rather than as the man who had such a tough go of it with Princess Margaret. Over the years, Rudolf Nureyev has been one of his most fascinating subjects, so when Gentlemen's Quarterly asked him to photograph Nureyev on the set of Valentino, Snowdon enthusiastically complied. Recalls Nureyev: "For three days of filming he followed us, from the makeup session at 6 a.m. until the end of the shooting. He virtually sank into the background with the technicians and cameramen." More to Snowdon's liking, it seems...
...gunshot wound (apparently by his own hand); outside Leningrad. Soloviev's exuberant grace and brilliant interpretation of classic roles won him fans not only in the U.S.S.R. but in the West, where he toured with Leningrad's Kirov Ballet. Although he lacked the passionate dynamism of Rudolf Nureyev or Mikhail Baryshnikov's transparent, effortless style, some critics believed that he was fully the equal of those famed Soviet emigres as a premier danseur...
...often." There are few major dancers or choreographers whose careers have not crossed that of Herr Drosselmeyer, Marie (or Clara, as she is sometimes known) or the Sugar Plum Fairy. Dame Margot Fonteyn made her debut at Sadler's Wells in 1934 as a snowflake. Both Rudolf Nureyev and Baryshnikov danced the prince as young men in Leningrad, as did Balanchine himself some 60 years...