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...RUDOLF NUREYEV has been a highly photogenic figure during his career, both onstage and off: from the filmed ballet, Romco and Juliet, to the television tape of The Sleeping Beauty ballet; from his early exploits in Haight-Ashbury, to tales of his explosive temperament--most recently one about his slapping a clumsy ballerina in the face during a performance. Rudolf Nureyev: I Am a Dancer, is the most comprehensive footage on the man and his work to date, but the film offers little insight into its subject's flamboyant personality. Instead, it tiptoes around the man as though too much...

Author: By Sarah M. Wood, | Title: Nureyev on Film | 4/23/1973 | See Source »

...film consists of segments from four of the Royal Ballet's repertoire, each a pas de deux featuring Nureyev and ballerina. La Sylphide, with Carla Fracci and The Sleeping Beauty, with Lynn Seymour, are both classical works. Field Figures, with Deanne Bergsma, choreographed by Glen Tetley, is a modern ballet. And Marguerite and Armand, with Dame Margot Fonteyn, choreographed by Sir Frederick Ashton especially for the pair, is based on Dumas's story of Mme. Recamier, the courtesan immortalized by Garbo in Camille. Ashton calls his ballet an "evocation poetique," but it is more like sentimental prose. The other pieces...

Author: By Sarah M. Wood, | Title: Nureyev on Film | 4/23/1973 | See Source »

...pieces of formal works are strung together by clips of Nureyev rehearsing, Nureyev exercising, Nureyev resting, Nureyev breathing. And the entire movie is narrated with Nureyev and Fonteyn's words interspliced) by Briton Bryan Forbes, intoning as though he were touring Stonehenge, from a script with such penetrating insights as, "dancing is very difficult, you know", or "this is a dancer's dressing room; no frills, just four bare walls...

Author: By Sarah M. Wood, | Title: Nureyev on Film | 4/23/1973 | See Source »

...Nureyev's personality goes, it's the same old story about how hard-working and attentive he is, how eager to innovate, how much the heart-throb of the ballet world in shots of his ogling fans, almost all of them are teeny-boppers or middle-aged women). Fonteyn begs the question of Nureyev's temper: "superficially he might seem to have some bad sides, but I don't think they're important." I can understand that the makers of the film might have been hesitant to pry uninvited into Nureyev's private affairs: if his reputation...

Author: By Sarah M. Wood, | Title: Nureyev on Film | 4/23/1973 | See Source »

SUNDAY: Sleeping Beauty. Rudolf Nureyev and Veronica Tennant star in Tchaikovsky's 1890 ballet. Filmed by emmy-winner Norman Campbell at Toronto's O'Keefe Centre. CH. 2. 7 p.m. Color...

Author: NO WRITER ATTRIBUTED | Title: television | 12/14/1972 | See Source »

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