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...said Rudolf Nureyev, like "graduating from finishing school," a chance "to show what I learned about the West, and what I can do with it choreographically." Last week at the Vienna State Opera, Nureyev presented Tancredi, his first try at choreographing a modern ballet. No pretty picture princes, no fluttering ballerinas in cupid wings this time. He turned the old love-triangle theme into an exploration of neurosis from womb to tomb, into a balletic adventure that was, as one critic put it, "for the Jung in heart...

Author: /time Magazine | Title: Dance: For the Jung in Heart | 7/1/1966 | See Source »

Yuri Vladimirov, with his unruly shock of hair and the untamed passion of his dancing, is reminiscent of Rudolf Nureyev. In The Flames of Paris last week, he burst across the stage with a round of incredibly high, twisting jumps, whirled whippet-quick through half a dozen spinning leaps in which his body seemed almost parallel to the stage, then snapped into a one-knee landing that left the audience gasping. Though the lyrical side of his artistry is still maturing, the solid, long-limbed Vladimirov exhibits an aerial freedom and heroic virility that few male dancers can match...

Author: /time Magazine | Title: Dance: Two for Tomorrow | 5/27/1966 | See Source »

...Parisien Libéré, Rudolf Nureyev, 27, was "forever the prodigious dancer who left us breathless in 1961." That was the year when the temperamental Tartar also left two Soviet "bodyguards" breathless at Le Bourget Airport as he leaped away from the Leningrad-Kirov Ballet troupe to become the most spectacular male dancer in the West. After performing in Paris with Dame Margot Fonteyn at the Third International Dance Festival, Rudi had a sentimental look at his old Leningrad-Kirov comrades for the first time in four years, broke into wild applause from the audience as Compatriot Yuri Soloviev...

Author: /time Magazine | Title: People: Dec. 24, 1965 | 12/24/1965 | See Source »

...veteran is the greatest Dane of them all, Erik Bruhn, who at 37 is the supreme danseur noble. The finest technician on two feet, his endless pursuit of classic perfection forgoes the kind of passionate abandon that marks the style of Rudolf Nureyev, the only other dancer in his class. Says one ballerina: "Nureyev is like Callas singing Bellini; Bruhn is like Schwarzkopf singing Mozart." But Bruhn has learned something about characterization from his friend Nureyev. As Don Jose in Roland Petit's version of Carmen, Bruhn was a man possessed, a smoldering Valentino driven by lust and racked...

Author: /time Magazine | Title: Dance: The High & the Mighty | 12/10/1965 | See Source »

JIMMY DURANTE MEETS THE LIVELY ARTS (ABC, 9:30-10:30 p.m.). Durante and Guests Rudolf Nureyev, Roberta Peters, Robert Vaughn and the rock-'n'-rolling Shindogs survey culture and entertainment. Color...

Author: /time Magazine | Title: Television: Oct. 29, 1965 | 10/29/1965 | See Source »

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