Word: nureyev
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SHORT TAKES Nureyev debuts as a conductor...
...BALLET THEATER'S PROduction (Romeo and Juliet) was lovely, the music (Prokofiev) splendid, and the principal dancers (Laurent Hilaire and Sylvie Guillem) enchanting. But the roiling applause at Manhattan's Metropolitan Opera House went mainly to the man who was making his U.S. debut in the orchestra pit, RUDOLF NUREYEV. Now 54, the century's most celebrated male dancer has got a leg up on a new career as a conductor. Admirers who feared that he could not achieve so radical a transition without embarrassment may rest easy. Nureyev, who started conducting both ballet and stage performances with considerable success...
...began a long liaison with composer Louis Horst, who became her musical mentor. In 1948 she was briefly married to Erick Hawkins, a thrilling dancer who later founded his own enduring company. She never lacked for acolytes: Rudolf Nureyev and Mikhail Baryshnikov, who offered their classically trained bodies to her training, and the late designer Halston, who cosseted her and dressed her like the goddess she was in her later years...
...Sullivan had a reporter's instinct for what was hot, and he outhustled rivals to showcase new talent, notably Elvis Presley and the Beatles. And not just in pop. Sullivan proudly treated his audiences to classical excellence in the personae of opera diva Joan Sutherland and ballet stars Rudolf Nureyev and Margot Fonteyn. He encouraged black artists at a time when TV offered them few opportunities. Ella Fitzgerald and Pearl Bailey were all but regulars; Motown stars -- from Smokey Robinson to the winsome little Jackson Five -- got ample display...
...Kirov, the revered Soviet classical company that nurtured George Balanchine, Rudolf Nureyev, Mikhail Baryshnikov and Natalia Makarova, came stocked with an impressive repertory. It has been 25 years since it played New York City, and in that time Manhattan has become entrenched as the dance capital of the world. Local fans are well informed and tough. Balanchine, who died in 1983, is still very much the presiding genius, and the purity and speed of his choreography set the pace. In addition to the perennial Giselle and some short pieces, Kirov artistic director Oleg Vinogradov brought his new production...