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...share of the finds. In the first half of the 20th century, the archeological museums of universities like Yale and Harvard and art museums like the MFA used partage to acquire their most important pieces. In the 1920s and 1930s, a team from Harvard excavated a site called Nuzi in modern Iraq, finding thousands of cuneiform tablets that detailed daily life. These remain on display in Harvard’s Semitic Museum...

Author: By Edward F. Coleman and Elsa S. Kim, CRIMSON STAFF WRITERSS | Title: Illegal Exhibits | 3/13/2008 | See Source »

While scholars anxiously await the outcome of their recovery efforts, students at Harvard have a chance to see artifacts similar to what was lost at the museum. The second floor of the Semitic Museum on Divinity Ave. displays tablets and jewelry from the ancient city of Nuzi. Excavated in a series of Harvard-sponsored expeditions in the late 1920s, the artifacts (which include a set of civil lawsuits inscribed in cuneiform) record the culture of the Nuzi civilization, which fell to its Assyrian and Babylonian neighbors in the thirteenth century B.C.E...

Author: By Lindsey E. Mccormack, CRIMSON STAFF WRITER | Title: Ancient Treasures Lost | 4/25/2003 | See Source »

Part of the Nuzi collection legally belongs to the Iraqi government, and that part was mostly repatriated in the 1980?...

Author: By Lindsey E. Mccormack, CRIMSON STAFF WRITER | Title: Ancient Treasures Lost | 4/25/2003 | See Source »

...less-than-overwhelming crowds at the Nuzi exhibit are any gauge (visitors are pretty much guaranteed to have the place to themselves), History will not only fail to pass judgment, but History is probably not going to care. What we leave behind, it turns out, are non-biodegradable objects, a few random legal contracts, a few pieces of jewelry and a whole lot of garbage...

Author: By Dara Horm, | Title: The Monica of Mesopotamia | 10/15/1998 | See Source »

Presidents, of course, are concerned about their mark on History. So are many other people, including many intelligent and ambitious ones. But if we can glean any general truths from the Nuzi exhibit, one might be that on a macrocosmic scale, what people will know of us in the future is more or less random. Our reward will not be in the inscription of our names on credit cards in a museum's glass case a thousand years from now, or in copies of out-of-print books we authored or in the condemnations of the Starr Report. We cannot...

Author: By Dara Horm, | Title: The Monica of Mesopotamia | 10/15/1998 | See Source »

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