Word: nyc
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Tewes described the film as “about a Dominican growing up in Washington Heights, NYC. It’s basically a coming of age story. It’s a fun movie, one from a very different background...
...Biggie is so gosh-darned charismatic and compelling, but I’ll be a monkey’s uncle if he isn’t. The little harpsichord-type thingy is so eerie and sun-drenched, it’s hard to believe this guy was from NYC and not an island of tribal warriors that worshipped him as a Brando-style god. “I see some laydeez tonight that should be havin’ my baby, baby.” Can I be one of those laydeez, Christopher? Christopher...
...show, the guitarists began to strum their old classic, “NYC.” The slow fusion of deep guitar chords and light keyboard tones melted into mellow vocals and suddenly the New York City nightlife manifested itself in the conservative Boston venue—two large disco balls appeared in the back of the stage, turning the entire theater into a tranquil disco club...
...Problem is, he’s not so good at it. His wild powers end up causing more trouble than they prevent. In a typical example, he saves a kid by shouting “full stop!” at an oncoming train, but inadvertently shuts down the NYC subways for hours. Despite his single success—diverting that second World Trade Center plane on September 11—he retires his gear...
...from the help of dance labels and club remixes of their songs. It is onto this scene that Tim Goldsworthy and James Murphy have become so prominent for their stable of dance-rock artists and their production work as the DFA. Their vinyl remixes have been club fodder in NYC and around the world now for more than two years, and DFA #2 marks a milestone in their careers; two discs longer than their first compilation, the set reveals their increasingly prolific catalog at a glance, and the outstanding nature of their production at a listen...