Word: nykvist
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Dates: during 1990-1999
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...people talking--drama and life in its essence. The camera, manned by Bergman's master cinematographer, Sven Nykvist, holds on the actors' faces as they pour or spit out their lines. The film could lie there, inert and artless as an episode of an afternoon soap opera. It doesn't; it brings old rancors and flames alive. These troubled folks might be your parents...
...Harvard audiences, his seamless juxtapositions of the random places on campus where he was allowed to shoot may feel disorienting, but in a fun way. The cinematography of Sven Nykvist (of Ingmar Bergman fame) is competent, but it has none of the passion of his most recent work, the lyrical "What's Eating Gilbert Grape?" and the truly horrible (but well-filmed) "Sleepless in Seattle...
...frustration these questions caused was scarcely allayed by Sven Nykvist's captivating photography. Familiar locations--the stairwell or facade of an apartment building--are transformed into eerie backdrops by the weird angles Nykvist chooses. Indeed, the film's vision of Paris charms the viewer from the neighborhood cafe where Trokovsky has his morning hot chocolate to the seedy bars and cinemas he visits with Stella. Details, like the outrageous flares, pendants and sheepskin jackets she wears, are convincingly retro. The only contextual problem is the accents. Ironically, the only French-sounding actor in the mainly American and British cast, Polanski...