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...girl (Birgitta Pettersson) is murdered by herdsmen, who are in turn killed by her father (Max Von Sydow). A miracle play and a horror movie--it was remade in 1972 as The Last House on the Left--the movie retains its stark grandeur in the chiaroscuro cinematography of Sven Nykvist. As a peasant girl who witnesses and wills the murder, Gunnel Lindblom has a feral magnificence...

Author: /time Magazine | Title: 7 Favorite Foreign Films | 2/26/2006 | See Source »

...people talking--drama and life in its essence. The camera, manned by Bergman's master cinematographer, Sven Nykvist, holds on the actors' faces as they pour or spit out their lines. The film could lie there, inert and artless as an episode of an afternoon soap opera. It doesn't; it brings old rancors and flames alive. These troubled folks might be your parents...

Author: /time Magazine | Title: Cinema: Cries and Whispers | 1/25/1999 | See Source »

...Harvard audiences, his seamless juxtapositions of the random places on campus where he was allowed to shoot may feel disorienting, but in a fun way. The cinematography of Sven Nykvist (of Ingmar Bergman fame) is competent, but it has none of the passion of his most recent work, the lyrical "What's Eating Gilbert Grape?" and the truly horrible (but well-filmed) "Sleepless in Seattle...

Author: By Daniel J. Sharfstein, | Title: Cum Minus | 5/5/1994 | See Source »

...frustration these questions caused was scarcely allayed by Sven Nykvist's captivating photography. Familiar locations--the stairwell or facade of an apartment building--are transformed into eerie backdrops by the weird angles Nykvist chooses. Indeed, the film's vision of Paris charms the viewer from the neighborhood cafe where Trokovsky has his morning hot chocolate to the seedy bars and cinemas he visits with Stella. Details, like the outrageous flares, pendants and sheepskin jackets she wears, are convincingly retro. The only contextual problem is the accents. Ironically, the only French-sounding actor in the mainly American and British cast, Polanski...

Author: By Tilly Franklin, | Title: Cross-Dressing "Tenant" Drags | 2/3/1994 | See Source »

Much of the credit, according to Josephson goes to Sven Nykvist, a cinematographer whom the actor credits with having a living relationship with the camera. And, says Josephson, when Bergman realized what had happened, the director grew inspired, tailoring his script to bring out the best in Josephson...

Author: By Ross G. Forman, | Title: Swede Memories | 3/4/1988 | See Source »

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