Word: nympho
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...scrolling by on the screen faster than the eye can read. "I'm nibbling your earlobe," begins a typical come-on. Reply: "Not so hard!" Men, sporting such nicknames as "Conan the Librarian" and "Loverboy," outnumber women about 4 to 1, and anyone signing on as "Karen the Nympho" will be besieged with requests to TALK. This is the command that allows two users to exchange intimacies in private. Couples who hit it off have traded phone numbers, photographs and, on at least five occasions, wedding bands. Tiresome swains can be cut off with a keystroke...
...Instead of learning from his experiences, or gaining social awareness, Danclo remains basically the dimwit we met a long, long two hours ago, pursuing whatever brunette happen to be with him (we never see how he meets them) and retaining true love--for no earthly for the psycho nympho weren't those days crazy? Wild kids social upheaval...
...players? Can't have a ballgame without players, and there are many who rode into the winner's circle. Murphy comes through as O'Genick, but better direction would have tightened his wavering Steve Martin-Goes-to-Southie character. Fitch's job on Ella Mental, the nonagenarian nympho, is outstanding. Jim O'Brien, who plays the second female lead as Melissa Forethought, a whorish double agent who gets it from both sides, turns in an admirable performance, especially on the raunchy number, "Coo and Bill Me Later." O'Brien's act is marred only by the fact that he walks...
Looking For Mr. Goodbar. Diane Keaton plunges into a new area in her line of work--a leading role in a serious drama about a nympho working girl--and she can look back on the departure with satisfaction. Her masochistic Theresa Dunn rivals Keaton's technical excellence in portraying Annie Hall, but the character makes no claims upon our sympathy, despite all the vilification unloaded upon her by Dunn's succession of one-night lovers. Tuesday Weld provides an unmemorable contrast to Keaton as Dunn's capricious older sister Katherine, relying too heavily on the character's caricaturish whackiness...
Looking For Mr. Goodbar. Diane Keaton plunges into a new area in her line of work--a leading role in a serious drama about a nympho working girl--and she can look back on the departure with satisfaction. Her masochistic Theresa Dunn rivals Keaton's technical excellence in portraying Annie Hall, but the character makes no claims upon our sympathy, despite all the vilification unloaded upon her by Dunn's succession of one-night lovers. Tuesday Weld provides an unmemorable contrast to Keaton as Dunn's capricious older sister Katherine, relying too heavily on the character's caricaturish whackiness...