Word: nymphomania
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...Terry Kozlenko (Barbara Harris), who supports three children and a yapping mongrel on alimony checks. Once wed, Wilson is beset by miseries. His stepchildren are a mess. The boy is prey to countless nighttime fears, the younger of the two daughters stammers, and the older displays unmistakable signs of nymphomania. Terry's ex-husband (Jason Robards) visits disruptively. The dog snarls...
...plot, but Paddy Chayefsky's screenplay of The Hospital hides almost the same assumption and a few more to boot. Rapist (George C. Scott, playing a doctor) and rapee (Diana Rigg) fall in love; Scott, his flagging potency restored, finds life worth living again; Rigg is cured of her nymphomania. Meanwhile life-and death-in a big New York City hospital goes on. The story evades numerous intriguing issues: Rigg has a potentially interesting madman for a father. He causes chaos in this wonderland of technological medicine, but he assures us that in Mexico, where he lives almost...
...Macy's nasal, controlled delivery, contributes joy to this spectacle of lives still tawdry and depressing, but not really worth watching if it had been limited to Anna's nightmares of mother guppies consuming their young, puppies being crushed by giant trucks or, for that matter, Catherine's suppressed nymphomania. Julie Harris as the Captain's wife in Reflections in a Golden Eye, to my mind, patented the whole type of the skinny schizoid, and her mannerisms in this, a strikingly similar role, take on their own campy charm. She clutches her breast and shudders with a frail quiver wholly...
...play focuses on a famed ex-songstress named Evy (Maureen Stapleton), who has succumbed to the demons of alcoholism and nymphomania. She has just come home from a drying-out session at a sanatorium. Will she or will she not hit the bottle and the bed again? This is the basic situation, and it is weak, in that the audience knows that she will, or there would be no play. Evy's two closest friends want to be loyal watchdogs, but their own shaky personalities make them abettors of despair. One is a middle-aged homosexual actor (Michael Lombard...
...pharmacological and gynecological nightmare. Reader interest, soaring along on a series of drug ingestions, couplings and nervous breakdowns, finally hit an apogee with breast cancer. Love Machine lacks Valley's primitive vigor but equals its obsession with pathology: leukemia, gall-bladder trouble, heart disease, neurasthenia and nymphomania play important roles. One man is terrified of losing his genitalia; another surrenders them gladly in order to become a woman. The central character, a power-mad television executive with a superhuman capacity for vodka and coitus, is mysteriously incapable of love and marriage. The explanation is only a cut above those...