Word: o
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...contrived spaces of soaring hotels or office-block podiums. "When I first arrived in Asia," she explains, "I was in Hong Kong and got into a lift to go up to a restaurant on the seventh floor, where we were greeted by 20 Chinese guys saying 'Ciao' and singing 'O Sole Mio.' I thought, 'This is crazy.' A restaurant has to have some soul. The whole make-believe world has to have some basis in reality...
...most important, that you can find something interesting in the lives of people other than celebrities, lawyers and doctors. In CBS's new Undercover Boss, executives go incognito to work in entry-level jobs in their companies. In the premiere, Larry O'Donnell, president and COO of Waste Management, picks up litter and cleans toilets. He learns that a woman driving a garbage route has to pee in a coffee can to keep on schedule; trash sorters are docked two minutes' pay for every minute they're late from their half-hour lunch. He's horrified; he's humbled...
There's plenty to criticize in Undercover Boss. The show is moving but it's also manipulative and infuriating. Yes, O'Donnell hands out raises and rewards to the nice people we've met. It makes him (and us) feel good. But company-wide - economy-wide - there's no reason to believe things will get better for the overstressed workers who didn't get on TV. (See more about the television...
...also - in the worn-out but cheerful employees - see a testimony to the incredible camera-readiness of the American public. How did O'Donnell manage to work unsuspected among his employees? He told them he was "Randy," a host making a reality show, natch, about entry-level jobs...
...Strip has another king now. Since 1993, with the opening of Mystère, the Montreal-based Cirque has come to dominate Vegas entertainment with such theatrical extravaganzas as the water show O and the martial-arts epic Ka--pieces that in scope and technical éclat are to the typical Broadway show what Avatar is to the 1933 King Kong. In 2006, Cirque pulled off a Beatles homage, Love, but that was sedate stuff next to this audiovisual-balletic-acrobatic explosion from director Vincent Paterson and "director of creation" Armand Thomas. They've concocted an experience that's both symphonic...