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...O'Keeffe, who owned a copy of Kandinsky's book, was no Theosophist, but like him, she felt that abstract art could express the artist's purely internal realities. In 1915 she was a 28-year-old art teacher stuck at a small women's college in South Carolina. One year earlier, she had been living happily in New York City and getting her first eager taste of Picasso, Braque and American modernists like John Marin. Stranded in a place she called the "tail end of the world," she decided to go where none of those artists had ventured. Drawing...
...museums are looking back this fall on those exalted beginnings. "Kandinsky," at the Solomon R. Guggenheim Museum, sends nearly 100 of the artist's works up the Guggenheim's spiral ramp like a whirlpool of angels in a Tiepolo ceiling. Meanwhile, at the Whitney Museum of American Art, "Georgia O'Keeffe: Abstraction" scrapes away O'Keeffe's barnacled legend as the Gray Lady of New Mexico to recall the young woman who at the dawn of abstraction made a fearless leap into the unknown. (See pictures of the work of Kandinsky and O'Keeffe...
...would probably know nothing of those drawings today if O'Keeffe hadn't mailed some to a friend in New York who took them to the photographer Alfred Stieglitz, a pivotal figure in the small world of American modernism. Stieglitz agreed to include them in a group show at his 291 gallery, the tiny cockpit of advanced art where O'Keeffe had seen those Picassos and Marins. They were an immediate hit. Two years later, he gave her a solo exhibition that made her name for good...
...that time, O'Keeffe had reintroduced color into her work. Her typical canvases were eruptions of soft form, like the cresting fiddleheads of mauve, orange and green in Series I, No. 4, from 1918. But she also worked in a taut, sharp-edged register that produced work like Red & Orange Streak, from the following year. Nothing about a picture like that suggests it's the work of a woman, but from early on, critics treated her paintings as bulletins from the Eternal Feminine. In her plump bulbs of color and shadowy openings they found the swells and inlets...
...addition to being a legendary Wall Street figure, Bruce Wasserstein was also a dedicated and valued member of the Harvard Community and a wonderful example of the far reaching impact Harvard Business School alumni have made in the business world and beyond,” wrote Jay O. Light, dean of the Business School, in an e-mailed statement...