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Word: oaf (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...could it have failed? With a smugness that smothers the actors' energy and obliterates the historical reality. Welles is a pompous oaf, and Houseman his toady. The rich are scheming, the poor artists cliches of do-gooder striving. These are caricatures drawn so violently that one sees blotches of ink instead of quick, deft lines. Perhaps, in the long view, we are all idiots. But we don't need a 60-year perspective to see Robbins' attitude revealed in all its meanness of spirit. If he hated these people so, why did he waste his time and ours putting them...

Author: /time Magazine | Title: Cinema: Cradle Will Rock | 12/27/1999 | See Source »

...evidence that women have passed men on the evolutionary scale need look no further. The narrator of this dark satire is a sophisticated, self-aware photographer who, at 40, meets the perfect man: a charming, wealthy novelist. Shortly after their marriage, though, she finds he has turned into an oaf, banging around the house like a bull, routinely inflicting accidental injury. He never comes into focus, but the anger he arouses in his wife is all too clear...

Author: /time Magazine | Title: Books: The Dangerous Husband | 10/18/1999 | See Source »

...election in 1960, Lyndon Johnson brought John Kennedy down to the L.B.J. ranch in Texas and, much to Kennedy's distaste, forced him to go out shooting deer. Urbanity recoiled at bloody, redneck crudeness. That's how the moment was interpreted at the time. Hunters belonged to the oaf class, Elmer Fudds who were dumb enough to be flimflammed by Bugs and Daffy: "Duck season! Wabbit season...

Author: /time Magazine | Title: Should Kids Hunt? | 11/30/1998 | See Source »

...Director Myra A. Mayman said she is excited about the expansion of the OAF's administrative offices from the cramped Agassiz facilities and the opportunity to share space with the band...

Author: By Rachel C. Telegen, | Title: Arts Office, Band Move | 4/4/1995 | See Source »

...went clean" -- theatrical slang for sold out -- before the first curtain went up, and there were scuffles in the line for tickets to his New York City lieder recital last month. Onstage his presence is riveting. Both Figaro and Leporello are servants, but there is no trace of the oaf or the buffoon in Terfel's portrayals. In both parts he can be physically threatening. In Don Giovanni he is a formidable enforcer of the Don's will, grabbing the young husband Masetto and spinning him into vertigo. With the equally tall James Morris singing the Don, the stage becomes...

Author: /time Magazine | Title: OPERA: In The Lap of the Gods | 11/28/1994 | See Source »

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