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Word: oafish (lookup in dictionary) (lookup stats)
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...first place. Until the balance of dominance has been completely redressed (and given the intransigence of the Harvard male that will be ages hence) men are in fact committing an act of "forceful penetration" whenever they wilfully barge in where women are discussing their own delicate, personal affairs. Oafish Harvard males need not apply in this or any similar colloquy where women are privately formulating the structure of reality...

Author: NO WRITER ATTRIBUTED | Title: Intrepid Churls | 11/20/1976 | See Source »

There is something almost disarming about the banality of Alex and the Gypsy. It looks like detritus from the last decade, all full of soured good vibes and oafish notions about freedom of the spirit. Maritza is supposed to represent the wildness that Main longs for, the last chance of his life. From everything Director John Korty (The Autobiography of Miss Jane Pittman) and Writer Lawrence Marcus (Petulia) show us, she is as liberating as Lucrezia Borgia. Maritza gobbles fruit and chats about Django Reinhardt while Alex makes love to her; she also has a hard time staying...

Author: /time Magazine | Title: Cinema: Time to Bail Out | 11/1/1976 | See Source »

...along with women's. The Harris survey found that 59% of men advocated greater opportunities for women. In some ways, the recession brought a kind of enforced enlightenment: husbands badly needed their wives'?or daughters'?paychecks to help support the family. Many men may still ask their oafish versions of Freud's infuriating question, "What does woman want?" But a surprising number of them have?guiltily perhaps?acknowledged the seriousness of women's complaints. While some advances have come because of women's push for equality or from affirmative-action programs, others have also resulted from a dawning...

Author: /time Magazine | Title: WOMEN OF THE YEAR: Great Changes, New Chances, Tough Choices | 1/5/1976 | See Source »

...considered a vehicle for its female lead. A rarity in today's male-dominated film market, Alice Doesn 't Live Here Anymore (TIME, Feb. 3) is an on-the-road journey toward self-discovery in which the seeker is a woman. A 35-year-old housewife whose oafish truck-driver husband is killed in a collision, Alice packs her twelve-year-old son into a battered station wagon and sets off for California in a desperately unrealistic attempt to recapture her girlhood dream of becoming a night club singer "better than Alice Faye...

Author: /time Magazine | Title: Show Business: Gillooly Doesn't Live Here Anymore | 2/17/1975 | See Source »

Fortunately, enough of Brooks's humor filters through the muck of wrong camera angles and oafish acting to make Blazing Saddles worth seeing...

Author: By Scott A. Kaufer, | Title: A Blaze of Botched Chances | 3/18/1974 | See Source »

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