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...total of 21 members of her government felt she had no chance of winning the second round against Heseltine. Even M.P.s who had voted for her the first time wanted to abandon her cause. To test the waters herself, Thatcher ventured into the Commons tearoom, a cavernous oak-paneled chamber. Settling comfortably into an armchair, she exhorted the Tory M.P.s who gathered around her to keep her in office. It was an extraordinary moment: rarely do Cabinet ministers, let alone Prime Ministers, mingle in the tearoom...

Author: /time Magazine | Title: Britain: Thatcher's Time to Go | 12/3/1990 | See Source »

...WHITE OAK DANCE PROJECT. Boston is the kickoff town for this 18-city tour of new works by the brilliant young modern choreographer Mark Morris. The big draw? Mikhail Baryshnikov, who will dance every night. Other cities include Minneapolis, Toledo, Savannah, Miami and Detroit. Through...

Author: /time Magazine | Title: Critics' Voices: Oct. 29, 1990 | 10/29/1990 | See Source »

...sits bolt upright, his hands folded neatly on the oak table in front of him. A dark suit and subdued tie reinforce the image of a stern military man, someone just as capable of offering an interrogator no more than name, rank and serial number as he is of impassively handing down a tribunal's verdict. Not even his eyes, hidden behind dark glasses, give anything away...

Author: /time Magazine | Title: Poland The Man Who Did His Duty | 10/1/1990 | See Source »

Shapiro first earned attention in the '70s with pieces that reversed the cult of Big Size in American sculpture -- a bronze house 9 in. high, for example, or a lilliputian metal chair sitting on the floor. Seen in the huge white-wall and oak-floor gallery spaces of early SoHo, these looked totally out of sync with their surroundings. Yet the contrast between the object and the space around it was part of Shapiro's project. The smallness seemed to gather and focus the room, stretching the distance between your eye and the sculpture, while giving the dumb-looking thing...

Author: /time Magazine | Title: Art: Sculpture of The Absurd | 10/1/1990 | See Source »

...Things are stale now in both ballet and modern dance. The prolific Morris -- who says, "I can make up a thousand steps; my problem is deciding what to keep" -- has shown an affinity for classical movement. It could be a dream linking. Baryshnikov, however, doesn't think a White Oak Company is in the cards. Speaking of dancers in the group, he says, "We're a group of company leavers. Kate Johnson left Paul Taylor, Rob Besserer left Lar Lubovitch, others left Boston Ballet." Nevertheless, if the fall outings are successful, the group will tour in the spring...

Author: /time Magazine | Title: Dance: The Mark and Misha Show | 9/17/1990 | See Source »

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