Word: ob
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Dates: during 1960-1969
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...forms of music, rock is the least demanding of a particular environment and atmosphere. Thus, I can see that "Revolution 9," which is hardly rock 'n' roll, might turn out, some dark and wintry night, to be right (it hasn't happened yet for me) but I know that "Ob-la-di Ob-la-da," which is pure rock, is right nearly all the time. This instant impact that rock 'n' roll has is due in part to the fact that it hits the listener at that deep level at which he stores his reservoir of the basic emotions...
...Panorama. In a way, though, The Beatles is too much a virtuoso display of the quartet's versatility. From the ricky-tick Honey Pie to the West Indian Ob-La-Di, Ob-La-Da to the schmaltzy Good Night, a sweeping panorama of pop genres unfolds in parodies, pastiches, takeoffs and put-ons. The boys even spoof themselves. George Harrison's Savoy Truffle contains a cross reference to Lennon and Mc Cartney's Ob-La-Di, Ob-La-Da. In Rocky Raccoon, Paul McCartney imitates successfully and amusingly the nasal delivery of Bob Dylan. The lyric...
...rest of the songs on the album are of varying degrees of goodness, with many many Beatle-like touches of genius (the glittering horns and Paul's singing in "Ob-La-Di, Ob-La-Da"; the two tempos in "Helter-Skelter"--Ringo's medium and George's very fast and the precise interchange between them; the ponderous massive build-up to an electrifying flourish in "I'm So Tired"); but they are too often only unsustained touches...
...understanding of what Judaism has to teach. After centuries of concentration in Europe, many Jewish scholars are now writing in America. The late Hebrew Philosopher Martin Buber, whose books stress concern for the individual over organized religion, has become a big man on non-Jewish campuses. "In the U.S.," ob serves University of Chicago Theologian J. Coert Rylaarsdam, "there is current ly a great vogue for things Jewish...
False-Teeth Collage. The average visitor, ushered through the five galleries annexed to the Winnetka chateau belonging to Retailing Executive Robert Mayer, 57, wishes he had brought along his sunglasses: more than 450 works of op, pop, ob, blob, kinetic and frenetic art jump, creep, twitch, jiggle or blaze from every conceivable wall and cranny. Some of Mayer's purchases are spectacularly fine, including Robert Rauschenberg's Buffalo II, a recent star at the Sao Paulo Bienal. Many others are simply spectacular. For, as Mayer is the first to admit, he has something of a glass...